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2014 |
The FELT days 204, 205, 206, 207 ~ of
the next 15 FELT years [see
linear time-line]
1 5 y e a r s = 5 4 8 0 days of g e f u e h l t e - g e f u e l l t e Z e i t "inmitten der Ewigkeit", f e l t - f i l l e d t i m e "amidst eternity" from the beginning of my 76th till the completion of my 90th year [unless I'll die after all] The feeling chosen from a day is exhibited in max. 7 lines per day since August 28, 2013 Since March 25, 2014, the only documentation of my life is distilled in "Felt Days"!! My role in the manifestation of the Tent-Vision is implied in the biblical tent quote! Often some "Driving Backward into the Future" is presented in a link beneath a day's song! |
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March 30, 2014-OHEL 60 from among its 365 appearances in the Bible
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March 31, 2014-OHEL 61 from among its 365 appearances in the Bible
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April 1, 2014- OHEL 62 from among its 365 appearances in the Bible
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April 2, 2014-OHEL 63 from among its 365 appearances in the Bible
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2003
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Grief and Grace (I adopt this poignant aliteration from Ola's letter about "her" retreat) Fragmented First Flashes 2003_11_13-28
What then is it, that I now, at the age of 65, needed to deeper experience
and to more fully understand The only way to grasp such darkness is by discovering
the little lights that starred it,
"The real AUschwitz Museum":
Andrzej Krajewski, the Polish coordinator of our retreat with two
other "Old-Timers", Klaus and Roland, next to him,
There was one ceremony, in which a little sound was asked for: When I was pregnant -amidst the examinations in Protetant Theology
- While working day and night on my thesis My thesis had to do with research on a German theologian, called
Karl Barth,
2003_11_28 I must stop sculpting now.
In Dec. 2010, when I scanned some 50 old slides, I discovered this image of Helena Hammermesch [see intro above] [To my regret I don't remember the girl - called "Orly" -, to whom Helena is talking here]
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The Journey of the Four to Poland, October 2009
October 24, 2009
All seven days of Rotem and Jonathan, Yahel and Shira in Poland
are documented in daily videos!
October 14,
2009:
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This interaction was preceded by a long phone-call
on Oct.4,
and by 2 letters from me to Rotem, which mainly concerned my pages about AUschwitz,
which I had recommended to her.
While I had been re-reading and correcting all of
the AUschwitz-BirkenAU pages,
I came across the lullaby which I sang in the "Childrens' Barrack"
[see above].
"S'hot der Windl zich gestillt" - "The
wind has calmed down".
I had learnt this song from a book and never heard it sung by anyone.
Now - 46 years after I cradled with it little Immanuel
- I felt, I should translate it
I began to sing the
Hebrew version to Mika on October 12,
and now see - below - what happened.
A day after the young people flew to Poland,
I got 2 different e-mails, becrying the death of Marian,
the holocaust painter.
sursis pour l'orchestreorchestra on probation
Then,
2 days later, on October 17, Elah, my granddaughter, came to visit at Shoham and told: "I am back from my performances in Eilat, back to Beit-Zvi Art School [see Elah's performing in "Hair" and see the entry about another play in kisslog on Nov.9 !!!] ], and I'm happy, that I got the main role in the drama "orchestra on probation ". [Hebrew version by Shmuel Hasfari] [played right now also by another Jewish theater school] I am small as Fania was small, but I have to loose weight, though nobody demands from me to reach Fania's weight of 60 pounds at the end of the war." She also told: "I'll have to go back and play the piano and I have to sing a lullaby in Yiddish. We haven't yet discovered one, which is not over-familiar because of its appearance in a movie etc." I was glad to inform her of "my" Yiddish lullaby (see above) and how just now I had translated it into Hebrew. We also talked about another figure in the play, Alma Rosé, the orchestra's kapo and conductor. I immediately searched for the exact connection between this Alma and the famous Alma Mahler, [married also to Franz Werfel, thanks to whose famous novel: The Forty Days of Musa Dagh (1933) the Armenian Genocide became first known to the world] Just then it so happened, that Elah glanced at the shelf in my room, on which only recently I had ordered the few books, which Efrat and Immanuel want to keep. Elah pulled out the book "Alma Mahler", to which I had not paid attention at all. "Did you ever read this?" we asked Efrat and she: "Of course! I like biographies!" |
Fania
Fénelon (1922-1983 Paris) In the Second World War she supported the French Resistance against the Nazis, was arrested, and was first deported to Auschwitz-Birkenau, where she was a member of the girl orchestra of Auschwitz, then to Bergen-Belsen, until she was freed in 1945. Suffering from a potentially fatal case of typhus and weighing only sixty pounds, she sang for the BBC on the day of her liberation by British troops... Between 1973 and 1975 she wrote the book Sursis pour l'orchestre, in which she described her experiences. The book was based on her diary from the concentration camps. It was remarkably frank on many sensitive topics: the degrading compromises survivors had to make, the black humor of inmates (the orchestra women are often depicted as laughing hysterically over gruesome sights), t he religious and national tensions among inmates, and the normality of prostitution and lesbian relationships (this last perhaps the most controversial, since it was the most heavily cut in translation). Almost all survivors who read the book disagreed with its negative portrayal of Alma Rosé, the orchestra's kapo and conductor. Linda Yellen filmed the book under the title Playing For Time, using as script a dramatic adaptation by Arthur Miller. Fania bitterly opposed Miller's and Yellen's sanitized rendition of life in the camps and above all Yellen's casting of Vanessa Redgrave to play her. Redgrave was a well-known PLO sympathizer and at nearly six feet tall, bore little resemblance to the petite Fania. "I do not accept a person to play me who is the opposite of me," Fénelon declared. "I wanted Liza Minnelli. She's small, she's full of life, she sings and dances. Vanessa...doesn't have a sense of humor, and that is the one thing that saved me from death in the camp." Fénelon scolded Redgrave to her face on 60 Minutes. Redgrave, however, won the support of the acting community as the issue of her political freedom took precedence over her suitability for the role. Fania Fénelon never forgave Redgrave, but eventually softened her view of the production to cede that it was "a fair film." |
On October 19, I got an e-mail from my son Micha, in which
he wrote:
"Hi Ima, For some reason I thought of you when reading
this - maybe you will find it interesting. Love, Micha"
about a friend of his brother-in-law Yecheskel, called Ron after his grandfather
Aharon
about whom Ron - in a group of Israeli officers who visited Auschwitz-Birkenau
- gave a speech.
Aharon was born in Rotenburg
on the river Fulda in Hesse/Germany
and murdered in Auschwitz , together with his grandmother Berni
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October 26, 2009 Yaacov sent me this picture of his twins, Yahel & Shira, as they lead the group in ~~~~~ a concentration camp ~~~. It wasn't planned that they would carry the flags. It wasn't planned that they would walk together. The photo was taken "by chance" by a pupil from another "Democratic School". |
2009_11_09
In a ceremony at the
Rappoport Memorial in Warsaw(see
video: Ceremony 2)
Yahel and Rotem read testimonies found in the Warsaw Ghetto,
and Jonathan sings "What about someone who has
no faith"..
(see
a performance which appears on Youtube)
Rotem was the one who drew Jonathan's attention to this song the day before. Unlike "my" songs of Lea Goldberg, which praise the small beauties of life, this song is filled with abysmal grief, kicking against the Lover's metaphor : I am asleep and my heart is awake (Canticum 5:2 and 3:1-3 - my song!) "my heart sleeps its sleep and I am asleep, my dreams are heavy with silence and my dead ones walk in my sleep as in an ancient fortress. How to wake up from my sleep and in my heart there is no faith?" |
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