The
Purpose of HEALING - K.I.S.S.
- as stated 12 years ago - was and is
to help me and my potential P E E R s
"to HEAL ourselves into WHOLEness,
and - by extension - all of CREATion!" |
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I focus my experiencing and awareness on being
"a pioneer of Evolution
in learning to feel":
I let my Body vibrate and my Heart 'womb'
pain, shame, fear, boredom, powerlessness,
so feelings can >heal >guide>fulfill>evolve,
and ~~~ offer ~~~"goldmines"~~~ to us all!!
"I
want you to feel everything, every little thing!"
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s
K.I.S.S. -
L O G 2
0 0 8
Keep It Simple Sweetheart
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How
Learn
And
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I
The
Train
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Heal
Conditions
In
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Myself
For
Creating
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Into
Heaven
Those
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Whole
On
Conditions
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Self-acceptance
Earth
Daily
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Click!
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Then those who see Ha-Shem, will talk
among each other,
and he listens and he
hears
yatakaalamuna allathina
yarau'na-hu ,
va-yusri va-yasma'
Dann die IHN schauen, werden reden miteinander,
und er lauscht und er
hoert
Puis ceux qu'ils voient Ha-Shem, se parlent
l'un a l'autre
il entends,
il ecoute
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Intro
to
k.i.s.s.-l o g + all
dates
~ Library of
7 years ~ HOME
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( of Latin characters only!) my
eldest granddaughter's video-gallery
September
16/ Elul 16 Tuesday, 31th
day of "having died to righteousness"-
at Arad
Actions and Interactions: pool twice, garden ~~~
Ofir, Amit, Lior
Parting from my
obsession to complete this page---on October 7
back to past ~~~~~
forward to future
The FOCUS of MY INTENTION
TODAY
Know exactly what you want, communicate clearly what you want,
then get out of the way, live and play, and let happen what
may
I don't exist to realize my desires, rather my desires exist
to give me reason for creative action and pretext for loving
interaction!
7:29
I desire to relate seriously
to the life-long bleeding
of my gums and to understand the real cause
I desire to discover a game, which will make frequent, thorough
cleaning of my teeth enjoyable!
I desire to 'sacrifice'
my pattern of constantly munching s.th. and render freedom to
my mouth!
I desire that my gums will heal fast~~for ever, and that the
tooth with the caries will be repaired
I desire to enjoy the jumping
between the last days & the not yet completed pages from
Aug. 21.
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Joy of 10000
CERN
scientists on September 10 |
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"I'll
show you how to brush your teeth"
Tehila
to me, the seventy year old |
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hodayot [thanksgivings] for
today
8:04
My Body, my Partner,
my God
I give thanks to the fantastic architecture
of our mouth,
and all its functions - from breathing, eating, drinking to
speaking, laughing.
I give thanks to our gums
and how they hold-hug our few remaining teeth,
as well as the
artificial bridges and the removable dentures
I give thanks to the endless tolerance
of our gums towards my carelessness
and I promise from now on to give loving attention and loving
caring to both - the outer and inner healing of the sickly
symptoms in our mouth - gums, teeth,
tongue
and palate [see "Candida" in
April] and our lips [recently "Herpes"]
I'm grate-full for my wondrous life circumstances,
- no "Meteor on Wallstreet" , no "Hurricane
Ike", no terror, hunger, Aids!
I'm grate-full for the program "FullyNaked" with
its goal to help women to accept themselves (Inbal,
the dancer, refused to nakedness,
but returned to dancing, "my greatest happiness!")
I'm grate-full for CERN~~
its 10000 scientists, even from warring nations,
who are composing a puzzle, though each understands only his
own piece.
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A Composition of little impressions which
I savored yesterday:
Nizza, my neighbor, is singing - as so often -
to her latest grandchild, while passing by the front of my "house"
(in this case: after I left it for
the pool)
May 14, 2014, coincidence, while searching
for my grandmother Margarete Berge/Ende - s.
Context - I came across this image,
5 min. after I met Nizza across the wall between our gardens, and told
her, that one of the Amaryllis-plants she had given me last year
was about to bloom! It's rare that we talk to each other, though lately,
after my participation at their Seder-Pesach it happens more often.
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My
landlords' kids,
Lior & Amit,
drawing-painting
at my desk
A cat
peeping into my room
Lior:
"Look, what I painted"
(in 2 minutes) |
Nourishment from Others-
from an e-mail
The New Beginning : Infinite
Love Embodied as Heaven on Earth
Archangel Michael through Celia Fenn
.....Beloved Ones, this is a time of
Transition.
Be gentle with yourselves as you move into Higher Dimensional
Life.
Know that sometimes the Flow may be easy
as you work with the Miracles of Creative Manifestation,
and sometimes it will be a little difficult
as you may briefly drop into old frequency addictions and
fear habits.
This will be because many around you will still be in the
frequecnies of fear
and they may briefly shift you from your center.
If this happens,
just gently move back into the Higher Frequencies of Love
and Peace.
It is so important that you embody this Radiant Light
so that others may experience Higher Frequencies
and learn to align with these energies.
We would say that at this time,
your major work is to hold your Joy and Peace
so that others may experience these energies through you.
Beloved Ones, each one of you is an "energy
transmitter"
for the New Earth energies and the New Earth Codes.
You will find that people will be drawn to you
to experience the Higher Frequencies in your voice, your eyes
and your touch.
A simple smile or hug can transmit the power of Unconditional
Love to another who is lost and seeks.
continuation tomorrow
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My reservations concerning some of the claims
I can "hold my joy and peace"
only,
if I'm constantly focused
on healing myself into wholeness,
and by extension, all of Creation!
Even a smile, even more so
a hug
may trigger those who attract me into their lifes,
for a moment or permanently as part of the family drama.
It is then, that I have to use my "lomkhah"
concept-strategy:
When
my own hole of 'needing
to be righteous & worthy',
is triggered
- I want to first identify this biggest hole of mine,
move it, accept
it, heal it !
- at the same time I want to identify the hole of the
person triggered by me,
- I then want to 'catch' the arrows of blame from the
person triggered by me,
and 'shoot' back rays of loving light without words, which
convey:
'may you
become parental
to the hole in your
wholeness
and find the way to move, understand,
accept and heal it!' |
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Finetuning - following the experience with
my family's reactions, responses or lack of reactions - on
October 7
On this day, Sept. 16,
exactly a month after August
16, the day on which my Sixteen celebrated my 70th birthday,
(it was Arnon who saw the coincidence of the "16"...),
I sculpted a letter, in which I wanted to express my deeply
felt gratitude for all their gifts and contributions.
[It's only now - June 2009 - that I discovered the
2 photos which show all my Sixteen together with me!]
I sent it to all those whose e-mail I had,
and asked my daughter Ronnit, as well as her husband Uri,
to forward it to their son Jonathan ...
and Immanuel to forward it to his 3 children, Elah, Alon and
Tomer....
I attached some 49 images and 3 sound-files
and asked expressively that everyone should acknowledge having
received all this.
In hindsight I feel great pain and shame about having sent
off this creation.
For it was , indeed, more than a letter,
it was a creation - and an overwhelming one for that matter.
It's alright to create on my website.
Iit stimulates and limits me - both! - when I imagine people
receiving it,
But nobody is obliged to read it or react-respond to it.
A letter should be written in a way, that the addressee feels
related to personally!
My creation could not - despite my dire attempt - take into
account -
each person's capacity or maturity of feeling touched by what
I sculpted.
Some of the children and grandchildren cannot be touched by
anything I say or do or write.
To them I should just have said :"thank you".
As to the others, I should have written a letter to each one
personally,
or I should have phoned, as Hagar did after her
wedding.
Of course, - while working on this thank-you-gift - I believed
sincerely ,
that the way I received and integrated their gifts and contributions
and used some of them as material for my own creations,
would make them feel glad and even proud.
As if I hadn't learnt anything in my 70 years...
.I
am "just too much" for everyone, yes everyone.
I'll now complete the translation of the letter,
so as to trigger myself into breathing and blushing
"How on earth could
I burden them with all this symbolism, with all these associations...."
[see
Sept. 18, especially the "altar"]
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A great thanksgiving to all my Sixteen
[see images of the togetherness and the
gifts on the kisslog pages from August
16 onward]
Arad, September 16, 2008
To my
Sixteen:
(ordered
according to age)
Ra'ayah and Immanuel and Uri
and Ronnit and Micha and Efrat
and Elah and Jonathan and Alon
and Rotem and Tomer and Yael
and Arnon and Itamar and Ayelet
and Mika
Today - exactly
a month after the most
beautiful birthday celebration in the world -
I feel mature enough to thank you.
Usually I experience experiences 4 times -
by my presence, by my photographing,
by editing the photos
and by creating a composition of the photos .
[The
Quartet - in your wonderful presentation -
you made fun of my "photographitis" -
but know, that this is in the genes!
The father of my mother, an unsuccessful painter,
began with photographing
already at the beginning of photography,
at least since the year 1885!
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My mother's father - Gottwill Berge - took this
photo one hundred years ago:
it shows his wife, Margarete Berge, with her firstborn, my mother's
elder brother Wolfgang Berge,
and Margarete's parents: Lilly Ende and her husband.
Wolfang Berge became sick with meningitis at the age of 12 and never
recovered.
After my grandmother Margarete died half a year after my birth (she
fell from a staircase...),
there was nobody to take care of her son, and my parents transferred
him to an institution.
There - in the frame of the Nazi's Euthanasia program - he was bereft
of his medicine and left to die.
[I attached this photo to the letter, because
I mentioned in it Arnon's joke about my obsession with the camera,
- telling them, that my grandfather - an poor painter - began to photograph
already 120 years ago...]
Know,
that when you celebrated me,
I refrained from photographing,
but Immanuel cropped some images from his video,
and I - after I slept - enfolded in your quilt
with the mandalas, the biblical quote,
which is the most important in my life now -
and the photos of my 10 grandchildren. -
got up early and arranged an exhibition
with the ten gifts from my grandchildren
+ the gift of the bag, Ra'ayah's creation.
I produced many photos - from different points of view -
focusing on both: the huge quilt as on the tiny-sized gifts
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and when I look at them -
endless joy and thanksgiving arise in me. |
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In addition to
all this - your song!
The lyrics of Efrat + Ronnit's idea of "embracing God"
in the 4th line
and the singing of all of you together ~~~~
standing in the space of the room as if staged, but it was natural~~~
I simply have now words to express my wondering and my admiration
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The
Head of the lady
the years colored white,
yes this is she and no other,
Christa Bat-Adam
The year seventy opens its eyes
and encounters Rachel
an energetic figure, an engraved figure,
a God-embracing* figure.
The year seventy then blinks
and checks in the diary,
and whispers to Rachel,
the medicine since long**
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With
a stormy monolog she opens
and lists up to "Seventy"***
all she has in her amtakhat - sack
[this term I remember well
from my research about Josef's brothers
in 1961, Genesis
44!]
all the challenges ****
There is a family and there is knowing
and a past and a future,
the year of 70 then folds itself,
she knows how to loose,
Yes, Time cannot overcome her,
to this we bear witness,
The past is a lamp to her feet
[an idiom from Psalm
119:105]
the Future - a pupil
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Chorus:
Yes, she
is seventy,
that's how it's fixed,
but a number is only a sign,
she is ready,
she is prepared
she stays here for the future
seventy years is she old
this is known
without a flag, without a sign
Rachel's soul is without age,
she watches out
for what's ahead.
The
last lines are almost direct
adaptations of "Israel
is Sixty" |
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While listening to the song -endlessly - line after
line -
on my way to the pool,
I managed to internalize and to know it
(I! who am so bad at learning a new song)
I changed one word:
Instead of "in a stormy monolog": " in a stormy
story"!
First because the word 'monolog' is strident to me -
am I not the spiritual daughter of Franz
Rosenzweig,
who is called "a
thinker of dialog",
second because in this line too,
the SEVEN first syllables should be on ONE tone:
I'll quote the 4 lines constructed like this:
aet ro-shah shel ha-ge-we-ret...
shnat shiv-im po-qa-khat a-yin...
be-sip-pur so-er po-ta-khat...
mish-pa-khah yesh ve-gam da-at...
Immanuel cut out for me also the duet of Arnon and
Yael,
and today, on this very day, the inspiration landed on me,
and to the sweet tune a game added itself-
which could be sung - together!
In each of the two parts of the tune there are 22
tones.
To the first part I adapted
the 22 letters of the Hebrew Alef Bet
Only later I understood, from
where the inspiration came:
I know about 400 songs by heart, about 120 songs of my own,
but to keep them really available in my memory, I must rehearse
them!
So it happened that in the morning-pool today
I rehearsed a song in Yiddish, which touches me a lot:
"Oifn
Pripetchik"
The song depicts a class of small children in a "Cheder"
in the Golah
Cheder
1912 in Meron, Galilee,
in which the teacher tortures them with the Hebrew Aelf-Bet
"Say again and yet again: Kometz
alef = O!"
(in the Ashkenazi pronounciation)
The teacher promises a "flag" to the pupil who'll
know Hebrew,
but he also infuses them with the purpose of this torture:
"When you'll be big, you'll understand
on your own flesh,
how many tears are in those letters and how much weeping.
And when you'll have to drag the Golah, the exile,
you'll be able to draw strength from the letters."
It is important for the health
of our life in Israel,
that we know this:
that our ancestors drew strength
from those 22 letters....
The tones of the second part, and this
time also its rhythm,
I adapted to the syllables of the names of my ten grandchildren!!
In the beginning I was sorry that there
or 23 syllables and not 22,
but I was glad when I saw that 22+23 makes 45,
and 4+5 provides us with 9, the numer of wholeness,
and not the wholeness of "the adamah", the earth,
which is symbolized in the number 7,
but the wholeness towards which we are still growing,
the wholeness of "Heaven on Earth"
alef - bet - gimel - dalet
- he
vav - zayen - het - tet - yod - kaf
lamed - mem - nun - samekh - ayin - pe
tsadi - qof - resh - shin - tav
[transcription according to
Unicode Table for Hebrew Alef Bet]
ROTEM, TOMER, MIKA,
ITAMAR, YAEL,
ARNON, ALON, ELAH,
AYELET, JONATHAN
And since I already got carried away with
playing with the letters,
I discovered something else about the names of my ten grandchildren:
The beginning of the names;
5 different letters
alef-alef-alef-alef-alef, yod, yod, mem, resh, tav
The ending of the names:
6 different letters:
he, he, lamed, mem, nun, nun, nun, resh, resh, tav.
At the end let me quote a passage
which I wrote for myself in English
on August 21:
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Efrat's creativity - there are no words to praise it .
And how she drew out the power of creativity from the ten
grandchildren-
I don't know how to express my wonder and joy.
And the miracle, that I have such a tribe!
Each of the Sixteen is alive and healthy
and wise and beautiful in body and soul!
What can I say about that?
And all are in Israel, nobody lives abroad,
even the three men, who jump abroad regularly,
Immanuel, Uri, Micha
they had all come, nobody was missing!
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back to past ~~~~~
forward to future
Intro
to
k.i.s.s.-l o g + all
dates
~ Library of
7 years ~ HOME
~ contact ~
SEARCH
( of Latin characters only!) my
eldest granddaughter's video-gallery
whole&full-filled,
never perfect&complete
Keep It
Simple Sweetheart
K.I.S.S.
- L O G 2
0 0 8
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