The Purpose  of   HEALING - K.I.S.S.

- as stated 12 years ago - was and is

  to help me and my potential P E E R s 

"to HEAL ourselves into WHOLEness,

and - by extension - all of CREATion!"
Intro to Healing-K.i.s.s. 2001-2013
and Overview of its main libraries


[If you look for a word on this page,
click ctrl/F and put a word in "find"]


I focus my experiencing and awareness on being
"a   pioneer of  Evolution  in  learning  to  feel":
I let my Body vibrate and my Heart 'womb'

pain, shame, fear, boredom, powerlessness,
so feelings can >heal >guide>fulfill
>evolve,
and ~~~ offer ~~~"goldmines"~~~ to us all!!
"I want you to feel everything, every little thing!"

 

 

 

K.I.S.S. - L O G    2 0 0 8
Keep It Simple Sweetheart

 
1

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3

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5

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1
2
3
How
Learn
And

I
The
Train

 

Heal
Conditions
In
Myself
For
Creating
Into
Heaven
Those
Whole
On
Conditions
Self-acceptance
Earth
Daily


sanctus-qadosh
sanctus-holy
sanctus-heilig

 

Intro to k.i.s.s.-l o g + all dates ~ Library of 7 years ~ HOME ~ contact ~ SEARCH ( of Latin characters only!)                  my eldest granddaughter's video-gallery

 

"to feel better requires that you become better at feeling"
June 13/ Sivan 10, Friday, still 64 days -
at Arad
Parting from my obsession to complete this page--- on June 17

back to past ~~~~~ forward to future



THE INSPIRATION OF MY ULTIMATE DREAM: "AZ NIDBERU"

The FOCUS of MY INTENTION TODAY

Know exactly what you want, communicate clearly what you want, then get out of the way, live and play, and let happen what may!
7:00
I desire to 'heal-out' the remotest corner of blame/guilt and traumatic need for self-justification,
so that "
my words become simple and pure" or will be replaced by heart-felt, God-felt INTENTION!
I desire to thus draw on the help of the whole 'universe' & integrate my desire into its 'right flow'
Yes, I desire that my very 'test case' of manifesting desires be the freedom to only say/talk/write,
what will bring about HEALING and LOVE of SELF, in the person/s I talk to as well as in myself.
See about the same lesson: Noah's Diary 12th week !!! and also in puzzle piece 8 >2002_11_28 !


image of the day: an old composition about my daughter's childhood


hodayot [thanksgivings] for today

7:45
My Body, my Partner, my God
I give thanks again to your capacity to intensify our breathing
helping me to cope with rushes of feelings and judgments against myself.

I breathe and enjoy every movement in my feelings,
each sensation in my belly , on my skin,
in every-day moments, as in storms of emotions,
and also when my soul is grey,
when Body feels discomfort, or Heart aches with pain,
or depression shoves me down the black hole,
Spirit, Body, Heart and Feelings are manifesting God,
this with each and every breath we know.


I am grate-full for the composition of all the communications yesterday,
and the lesson from it which on this morning I could transform into a Desire!
I am grate-full to Arnon for having inspired me to sculpt my page for him.
I'm also grate-full for his letter and for my (harshly censored) letters to him.
I'm grate-full for that call from the past, from my daughter's teacher Dania,

and for being able to watch the undertones of pain in my weird words to her.
I'm grate-full for having replaced my letter to Ofir with a talk face-to-face,
and for being able to watch my fear, as much as my "show that I know"
[re'uni].
I'm grate-full for Mika's wish to call me, for the amazing voice of her talking,
and for her clear singing of the song: "mishaehu ohev otakh"
someone loves you,
interrupted by her pilot-father's return from London and his: "Shalom Imma".
I'm grate-full that I didn't respond to any of the 5 skype-calls from Arab countries.
I am grate-full that t
he need to "explain" everything I've just sculpted, is gone!

 

 

THE INSPIRATION OF MY ULTIMATE DREAM: "AZ NIDBERU"

In the sad sculpture of Noah's Diary, 12th week,
the verse of Maleachi 3, 16 appears twice.
While rehearsing Arnon's song - see yesterday's "altar"
- in the morning-pool,
part of the difficult, while chromatic tune
suddenly attached itself to these words.
In the noon-pool outside
I continued to merge the tune with the Hebrew line.
After a while
translations into English, Arabic, German and French wanted to be added.
Those translations had to be corrected
according to Buber-Rosenzweig & my understanding of the Hebrew Bible
and sculpted in a way,
that they, too, could be synchronized with that tune.
I'm quite content even with the Arabic and French sculptures.
Thanks to whoever inspired me and helped me with this!
As to what I called a "chromatic" tune, I now informed myself:

Chromaticism
Ever since the Baroque Period, almost all music had been written in one of two kinds of scales: major or minor. By the end of the Romantic Period, however, these scale systems were growing tired. The increasingly intense emotions of the time could not be captured by using just the seven availible tones of a given key. Increasingly, composers began to use notes from the chromatic scale to create a greater sense of emotion and tension.

The chromatic scale includes all 12 tones of the octave, whereas the major and minor scales only use seven of the twelve. By using the tones that are not "supposed" to be in a certain key, composers were able to create stronger and more effective dissonances. In turn, the exaggered dissonance created more tension, which gave a greater sense of relief when the music arrived at a moment of release. Alternatively, the moment of release could be delayed using chromatic harmonies, so that the listener is constantly pulled forward, waiting for the resolution. ..

 



az nidberu yir'ee YHWH ish el re'eehu va-yaqshev YHWH va-yishma'

Then those who see Ha-Shem, will talk among each other, and he listens and he hears

yatakaalamuna allathina yarau'na-hu , va-yusri va-yasma'

Dann die IHN schauen, werden reden miteinander, und er lauscht und er hoert

Puis ceux qu'ils voient Ha-Shem, se parlent l'un a l'autre - il entends, il ecoute

See-hear the recording of my singing of  AZ  N I D B E R U
on June 15, 2008

My new Midrash about Maleachi 3, 16:

The line seems to be written in the past,
but since in biblical grammar there is no clear division
between past, present and future
(YHWH, for instance, is a verb and means:
he happened, he happens, he will happen,
the only appropriate way to name YHWH is by "The Name",
scroll to the bottom song of all AUschwitz-BirkenAU-pages)
,
this talking among each other is happening right now,
and so is the listening and the hearing (in this order!).

So far the pshat.
The drash, or remez, is in the letters yod-resh-alef
and suggests,
that what in the past was understood as "fearing YHWH"
should now be understood as "seeing YHWH".
Seeing - resh-yod-hê - can, in some of the verb-forms
be confused with yod-resh-alef-fearing,

"Driving Backward into the Future" = "Closeups to the Past" = Healing&Harvesting my Past

I don't know, what - around 3 PM - reminded me of something Dania said,
and since then it causes such a turmoil in my soul,
that I better spit it out:
She wants to organize a gathering of graduates,

"and without Ronnit (her pupil in 1978-79) it will not be what I want.
I've searched for 3 weeks, until somebody could give me your address,
and now I'm so happy that I'll find Ronnit."

She went on telling, how wonderful Ronnit was (then around 14),
how creative, how insistant on truth and clarity,
oh I wished I could remember it all.
She expressed her admiration for
"the values she received at home",
and how I did, what no other parent would have done,
I asked permission to take her out of school for a workshop
(an Arab-Jewish Re-evaluation Counseling workshop with Harvey Jackins).
And then she said, what pierced me:

"That year I organized a big show for the end of the school-year,
and you (in the plural) complained, that it cost the parents so much.
But after the show you (in the plural) said, that it was worth it."

And she added:
"I don't know why I remember this detail."
"We always remember the things that caused us pain."
I said,
already engulfed in a surge of pain and shame myself.
'Of course it was Rafael, who complained', I said to myself,
but this didn't comfort me,
after all it was me - the self-victimizing wife - who went along with him,
victimized in money matters first by my mother (who truly lacked money)
then by my husband (how truly did not lack money),
and then victimizing everyone involved in my life,
whenever it came to finances,
my children - and even Dania, that wonderful teacher.
It all came back to me, so many scenes I remember,
leave alone all those I don't remember, but still FEEL,
and my eyes fill with tears now that I'm writing this

and I want to hide my face in a cushion and sob and sob.
All this is epitomized in the name "Dania" now,
and it's covering even that other shame,
which I hinted at in my "thanksgiving" this morning.

"Is it this, what another person remembers about me?"

Again it is a ridiculous issue,
but suddenly wondering, worrying , what the things may be,
that thousands of people who met me in 70 years remember,
why does this trouble me at all? What's the matter with me?


While working on the bicycle episode,
a popup of "Nokia" (cellphone) informed me about updates,
and this time I did not postpone it, scared as I was
After all the procedures, the demand was to check the cellphone.
In order to have something to check
- I took this photo of my cherished vase
a geranium blossom from my garden
amidst twigs from my pomegranate tree,
which I pluck,
so they may not disturb Ofir's tractoron through "my" garden....

 

   

 

 

Finetuning into my Present


Can I believe it?
I feel envious!
competitive!

Somebody is better than me on his website!
Hans-Juergen Syberberg, once a film director
has found his new field of creation:
the World Wide Web

He designed more than 3000 daily web pages over the years, with about 50000 photos, texts and documenting links,
also to his own films.
Not an Internet Diary, but "creative coping with the past"
- and with the present everyday life.
Doesn't this sound familiar?????
But 5, even 6 million clicks on his site so far?
What about my 2 sites? My ego feels competitive!

"Superiorty Imprint" ! ha! there you are!

I opened the index of June 1, 2008
amazing photos!
and a few lines of text only!
Max Liebermann:
"Malen ist weglassen", "to paint is to omit",
which is, of course, the opposite of what I do,
despite the radical limits I've imposed on myself:
sculpting each line,
writing in a language which isn't mine etc..

I would not feel so competitive,
if Syberberg would live in a different inner world.
But his perception seems to be similar to mine:
"I experience at least 4 worlds at once".
Like me he has been for so many decades on this planet
and not only the present, but the past, are available to us,
not only the individual life, but the life of so many people , peoples, histories, cultures etc.
Also, the way he takes care of his exterior environment,
the house and farm of his childhood,
which he re-acquired and since then keeps re-creating,
[not restoring!]
as a reflection of what he feels and believes inside -
isn't this a potential partner?
So instead of feeling envious, shouldn't I feel over-joyous?
I'm bewildered!
Maybe, if he would be closer geographically, physically.
But we cannot meet.
Two islands in a huge ocean.


So???
What about this rare feeling of envy?
First of all, I want to savor it!
I hardly ever met it!
It helps me to understand others!
And then, of course, I feel the joy,
that there indeed is such a man out there somewhere,
and that thousands of people per day enjoy him,
and some may even be inspired and empowered by him.

"What a wonderful world it will be,
when we each know the part that we play!"

He may be doing the work,
that I cannot do, or am not meant to do.
And I may be doing the work,
that he cannot do, or is not meant to do.
Two pieces of the puzzle - similar, yet different,
I'm glad! And my envy is gone.

[Now, on August 11, 2012 (!!!!) I read in Wikipedia:
"The Spiegel critic compared Syberberg to the young Hitler,
the failed art student in Vienna,
who rationalized his failure
by blaming it on a conspiracy of left-wing Jews.
Syberberg feels he is an unappreciated genius,
and he too blames it on the same forces. "


A ten minutes program in "Kulturzeit", 3 SAT:
Creative Coping with the Past,
Hans-Juergen Syberberg and his Internet Project
Kreativer Umgang mit der Vergangenheit
Hans-Jürgen Syberberg und sein Internet-Projekt


Hans-Jürgen Syberberg vor seinem Geburtshaus

"Was macht einer, dessen Leben Film ist, wenn er keine Filme mehr macht? -Filme." Das Zitat klingt paradox, aber Hans-Jürgen Syberberg meint es ernst. In den 1960er und 70er Jahren gehörte er zu den innovativsten Vertretern des Neuen Deutschen Films. Er machte Furore mit seinem rund siebenstündigen Mammutwerk "Hitler - ein Film aus Deutschland", inszenierte später lange Theater- und Film-Monologe. Jetzt hat er eine neue Form gefunden: durch das World Wide Web.


2006 hat Hans-Jürgen Syberberg sein Geburtshaus in Nossendorf zurückgekauft. Seitdem baut er an der Fast-Ruine - gegen alle Widerstände, mit ungebrochener Beharrlichkeit. Und doch ist es keine bloße Wiederbeschwörung der Vergangenheit. Das alte Haus wächst zu etwas Neuem, das so niemals da war. Aber man kann instandsetzen. Jeder Tag bedeutet Arbeit. Arbeit am Haus, Arbeit an und mit den Nachbarn, und am "Projekt Nossendorf", das global stattfinde
t: Mit dem Internet hat Syberberg ein Universum entdeckt, das seiner eigenen Geschichte einen ganz neuen Ort gibt. Nossendorf - das ist mindestens ebenso real wie virtuell.


Weit über 3000 tägliche Webseiten hat Syberberg im Laufe der Jahre gestaltet, mit rund 50.000 Fotos, Texten und dokumentarischen Links, auch zur eigenen Filmarbeit. Kein Internet-Tagebuch, sondern ein kreativer Umgang mit der Vergangenheit - und mit dem heutigen Alltag, der in Nossendorf nicht ohne Tücken ist: Seine Internetseite "www.syberberg.de" mit mehr als fünf Millionen Klicks täglich wird auch in Nossendorf gelesen, das weiß Syberberg. Auch in Konfrontationen, etwa mit dem Landratsamt, hat sie ihre Wirkung gehabt. Die Seite ist ein Stück Macht. Syberberg nutzt seine Homepage als Ort des Kommentars, wenn es um größere Zusammenhänge geht - indirekt, und immer an den eigenen Ort gebunden.

Die Gewalt des Krieges bricht auch in die Welt von Nossendorf ein. Gefährdet ist alles, wofür der Ort steht: Kindheit, Erinnerung, kulturelles Erbe. Die Bilder kämpfen miteinander um den Sieg. Hans-Jürgen Syberberg weiß, dass die Orte der Kindheit für immer verloren sind. In den Filmen und früheren Installationen hatten sie einen Platz gefunden. Jetzt können sie aus dieser Kunstwelt zurückgeholt werden an einen realen Ort: Nossendorf. Im Internet wird er zur globalen Domain. Mit Edith Clever hat Syberberg große Monologe inszeniert - Stimmen unterschiedlichster Autoren, zur Welt gebracht von einer Stimme. Im Monolog "Die Nacht" schon tauchte die Erinnerung an den Schulweg des Kindes auf.

Zerstörung hat Syberberg nach der Wende in Nossendorf gefunden, aber er ist nach Hause gekommen - ein Zuhause, das neu geschaffen werden muss. Deshalb engagiert sich der Heimkehrer, ganz bodenständig, für die Bewässerung, den Baumbestand, die Restaurierung der Kirche. Den Dingen wieder ihren Platz geben, einen Ort für sich schaffen, es ist die äußere Einrichtung einer Welt, die einen inneren Raum umschützen kann. Wenn Hans-Jürgen Syberberg sich hier umblickt, kann er sich, als Ergebnis seiner Arbeit, sehen - und selbst wieder wirklich zuhause sein.


[But see my sad discovery on June 16:

What a discordant "color of the one Light" !]



The next evening I saw, how Syberberg documented his appearance on TV,
and how he, too, photographs through the screen ,
while - on the same page - also inserting a flower of his day

 

 

song of the day

"...Nichts ist mir zu klein, und ich lieb es trotzdem
und mal' es auf Goldgrund und groß
und halte es hoch, und ich weiß nicht wem
löst es die Seele los..."


 

 

How to respond to a challenge without loosing balance ,
and when loosing balance, how to cry and then to try ~
again!




 

 

 


After the first fall


 



 

 

 

 

 



 

 

 

 

 



 

 

The second fall

 

 

 

 

 

 

 

 

 




 

 

 

 

back to past ~~~~~ forward to future 2008/2012


Intro to k.i.s.s.-l o g + all dates ~ Library of 7 years ~ HOME ~ contact ~ SEARCH ( of Latin characters only!)                  my eldest granddaughter's video-gallery

whole&full-filled, never perfect&complete

Keep It Simple Sweetheart
K.I.S.S. - L O G    2 0 0 8