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52 days of Moving and E-volving Emotions Manual - 28th day, August 2002
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r it's "alarming
2013 |
1ter it's "alarmin
The FELT days 111, 112, 113, 114 ~ of the next 15 FELT years
1
5 y e a r s = 5 4 8 0 days
of g e f u e h l t e - g e f u e l l t e Z e i t "inmitten der Ewigkeit", f e l t - f i l l e d t i m e "amidst eternity" from the beginning of my 76th till the completion of my 90th year [unless I'll die after all] The feeling chosen from a day is exhibited in max. 7 lines per day since August 28, 2013 On 6 days of the week I learn, but Shabbat is dedicated to my main feeling: grate-full-ness. Since feelings must be vibrated~ wombed, each day closes with a song, fitting the 7 lines To challenge myself like that -while not knowing what will be "staged" in my personal and in the world's drama till 2028 , exhilarates me! |
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Denitiat
December
18, 2013 Did I write: "bury"? Bury the Succah-tax-debt story? When grabbing for the morning-book from the shelf, I discerned a tiny corpse on its top: "my" Praying Mantis, which had amused me for some time perhaps 2 weeks ago! I always wonder, to where animals disappear when they die. Not when they are killed -that is obvious- but when they die. The book, by the way, was the Tora with its weekly Haftarot. I realized that "haftarah" has the same root as "niftar" - passed away, died. And haven't I already put aside another big Succah-picture, and this time also let my camera photograph its burial place? I want to be much more systematical in being "spherical": I want to clearly differentiate between past and future, experiences I need to remember from my Vision's past and happenings I envision towards the Vision's future. One aspect of this is also "the burial" or "the elimination" of experiences that are no longer relevant or fertilizing. Provided, of course, that I did thorough Moving-Wombing work with them. I'll now climb up and down the the Grave of Grace. |
On
a "meem"-page in October, where
I once again explored "the ancient, ever more relevant issue of I s r a e l ' s v o c a t i o n", I suddenly remembered, what I now see as Rafael's mystical advice: "Das Thema sei dir zu gross, sagst du, aber es gibt doch gar keine kleinen Themata, die Idee, die einem nicht weniger zum Weglassen wichtig sein soll als zu dem was hinzukommt, eine Arbeit wie die - kann eigentlich nur in einem dauernden Prozess der Elimination entstehen, was natuerlich voraussetzt, dass vorher etwas zum Eliminieren da ist." I learnt this also through the saying of the painter Max Liebermann: "Malen ist weglassen", "to paint is to omit" I could despair, of course, of my incapacity to do this. But now, the purpose of eliminating, omitting is not, "to give other people space" in a conversation, but to deliver a clear message to the world of what has to be manifested all over the deserts. "th r o u g h a c o n s t a n t p r o c e s s o f e l i m i n a t i o n , provided, of course, that there is something to eliminate", |
First
the chaos on "my" veranda after the winter-storm and rain
- a few days ago |
Then the
beloved picture of the Sarah-Succah - which stuck to the wall among
my computer - within the downward pointing "rocket" of some of the most meaningful pictures in my life. Followed by its burial in the 'Grave of Grace' in the Wadi of Compassion. On top of the 7 pictures I buried there 3 days ago and under the Blessing for the Rachel-Succah, a creation by an anonymous guest, which I stole from there in 2002 Finally the "grave" has become a real grave! |
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I
felt the desire to enframe this glorious grave between chaos in garden
and veranda (which I could fix by strenuous work for three days every day an hour], and the exhilarating (yes!) sight of the storm-destructed metal fence: now the narrow cleft is wide open! I see this "revenge" when walking up my path and stepping down the little slope I made for my new track |
When crossing the free space between the (former) fence and the Ha-Gai road, I see this puddle, it's not very big and yet it reflects the entire 7 storey building. |
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Coming to the T-junction |
I rejoice in the wide opening and -across the Wadi of Compassion in the view of my neighborhood "Shaqed" , which means "almond" and comes from the verb "to be alert", which always reminds me of Jeremiah's vision [1:12-13] of the almond-tree |
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RECALLING experiences with the
temporary model of my Desert Hosting Economy vision
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I'm - in intervals - watching a doc about the Renaissance.
It is relevant, because this definitely was a quantum-leap.
I asked myself, what will be the relationship between the Ohalot and Art? Then - in re-reading the Hebrew diary of 1993 I came across Andrea and her Head , a huge relief on the other side of the hill, where "Sarah" and "Ya'aqov" are located. That's it: Artists will sculpt in Nature, even if they cannot exhibit in museums. Also in the diary, on April 2, 1993, I learn from guests about 'Capuera' and am enthusiastic: It doesn't need a smooth floor, I stress there. Also martial arts could be trained in the Ohalot. |
I also came to think about Yehuda
Hanibad, such a modest, great helper in 1993. He warned me, of letting myself be tempted, to participate in the tourist-exhibition in the Opera-house of Tel-Aviv. And though - in my unforgivable stupidity- I did not listen to him, he paid some 2000 NIS for the prospectus about a mobile workshop in the Desert, which I wanted to exhibit at Tel-Aviv. Absolutely nothing came out of this, not of the exhibition, not of the prospectus. I found a Yehuda Hanibad on the Internet, but I'm not sure, it's the man I'm looking for. |
Watching this picture, taken in the opera-House, I can see a sign from Heaven: It was not a succah but a pyramidal tent, which we exhibited there, sitting in it ourselves! And what about the mobile workshop? One day in a Succah, one day further away in a tent and one day without anything. How much did I work on that prospectus! And how did I force my son to graphically prepare through an entire night1 |
December 19, 2013
See the ideas |
RECALLING from Desert Water Vision IV, 1997 I also launched a campaign towards the Manager of "The Princess", who was German, in order to win him over for my idea of attaching a "Pyramidion" to the hotel, up on the ridge. The message of all failures in the exterior world, "Wait". |
I
learnt something beyond anything I had asked for: In my work about redemption from denial and guilt, ["I'm a pioneer of Evolution in knowing how to feel"] there is an aspect which I did not yet understand, when I sculpted the 7 felt lines above this morning: I must absolutely refrain from manipulating people, i.e. trying to "win them over" for doing something for "the quantum-leap" of "Adam ve-Adamah". Therefore, instead of being disappointed, when people do not keep their promises, I'll understand that not keeping their promises is a sign, that they weren't whole with their promise to begin with! -2- |
-1- |
[3] |
Tomorrow I'll travel to Shoham, to
be with Mika on her birthday, and to be with all my family on Shabbat for
the celebration.
I'll try to take a break from all the intense thinking, feeling, sculpting
of the last days and weeks concerning "my vision"....
last composition of the
sequence which I started on November 10, 2013
go on to next "meem"
page, but without Mika's photo-presence