The Purpose of HEALING - K.i.s.s.
as stated 10 years ago - was and is
to help me and my potential PEERS
to HEAL ourselves into WHOLEness,
and - as holograms - all of Creation!
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As the fruit of becoming whole = accepting all of
myself, I desire:
to live and explore and evolve L O V E
in my personal life
and to play my part in creating the conditions for
Heaven-on-Earth
by radiating grate-full-ness, zest-full-ness and full-fill-ment
on the actors in my individual life-drama and on all
human beings!
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K.I.S.S. -
L O G 2
0 0 8
Keep It Simple Sweetheart
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How
Learn
And
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I
The
Train
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Heal
Conditions
In
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Myself
For
Creating
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Into
Heaven
Those
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Whole
On
Conditions
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Self-acceptance
Earth
Daily
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Click!
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Then those who see Ha-Shem, will talk
among each other,
and he listens and he
hears
yatakaalamuna allathina
yarau'na-hu ,
va-yusri va-yasma'
Dann die IHN schauen, werden reden miteinander,
und er lauscht und er
hoert
Puis ceux qu'ils voient Ha-Shem, se parlent
l'un a l'autre
il entends,
il ecoute
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Intro
to
k.i.s.s.-l o g + all
dates
~ Library of
7 years ~ HOME
~ contact ~
SEARCH
( of Latin characters only!) my
eldest granddaughter's video-gallery
August
28/ Av 27, Thursday, 14th day of "Dying to my Righteousness",
Ra'ayah's 51st Birthday , -
at Arad
Parting from my
obsession to complete this page--- the next day
back to past ~~~~~
forward to future
The FOCUS of MY INTENTION
TODAY
Know exactly what you want, communicate clearly what you want,
then get out of the way, live and play, and let happen what
may!
7:00 [final edition
- for this day!!! - at 16:45]
I desire to apply my expanded
understanding,
that I can not and should not be "righteous"
righteous in its double aspect:
"flaw-less-ness" and
"shadow-less-ness".
I desire to never deny the pain about a flaw, nor the despair
about a shadow cast by my light,
but to vibrate it and trust, that both, flaw and shadow,
will find their functions in the multitude of voices in the
One symphony.
[See
yet another lesson in "dying to my Righteousness"
on April 21, 2009]
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My
shadow in rock, water and mud at the Dead Sea, October 2006
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Finetuning to my Present
- Challenges on the path to total
Self-acceptance
In exploring more and more of the
million-headed monster of
"I must be righteous and perfect
in my own eyes as in everybody elses' eyes"
I discovered that my shame-torture
results from the wish to be righteous:
[1]
When Ofir came to ask me to baby-sit, he also asked me how
"it" was.
Why then, instead of telling for instance about the great
"Quintet - Day",
did I "need" to tell him about Efrat's and my difficulty
with my children's & grandchildren's "unreliability"?.
I was immediately ashamed of having thus put into his head
- an emotion-loaden judgment about people of whom he knew
nothing else.
To vibrate my shame is one thing, which is always the first
thing to do,
but freedom and wholeness embraced me, when I released the
judgment
that I need to be righteous and not do such a thing as slandering
my own family.
[2]
Another - seemingly tiny - aspect of my need to be righteousness
is this one:
While in the car to the Lod train-station,
I thanked Ra'ayah for the food-gifts, she had left me on my
birthday,
and - in an attempt of praising her even more - said:
"but were those really leftovers?
Wasn't the Silan (date-syrup)
a new glass-jar, which you bought especially!"
"No, it wasn't full. The jar had been there for too long,
so I took out what I wanted and gave you the rest."
"But the cover was so unmovable,
that I had to use a tool to make a hole in it to let the air
in!"
"That was, because the syrup was sticky!"
When I opened the jar at home in Arad, I, indeed, found it
half empty !
I became aware, that I had mixed up this jar with a jar at
Bet Nehemya.
For there, when I looked for Silan for the Pfannkuchen dinner
with the Quintet,
I found a new container, the cover of which I needed to pierce.
If this wasn't enough to confuse my memory, it happened, that
hours later
I came, this time by chance, across an open
jar with a remnant of Silan in it.
In my wish to praise Ra'ayah, my memory brought up only "SILAN"!
I couldn't remember the other items for which I had wanted
to thank her,
like the special cake she had made for me.
One of the first "thoughts" this morning (it's
now 7:42 and -while correcting: 8:38) was:
"I should call Ra'ayah and
tell her about my error
and also tell her about the real things I wanted to thank
her for."
This grimace of righteousness was piercing me with
"you should - by all means
- avoid being judged "senile" by your children!"
and another grimace said:
"you messed up the chance to
praise Ra'ayah and give her a moment of self-love?"
But NO! I am NOT righteous!
I AM forgetting things, mixing up jars of Silan,
I AM NOT able to help people to love themselves.
And I accept myself as flawed.
[3]
I also understand - while thinking that it's almost a month
now
that I didn't manage to "complete" any of the K.i.s.s.-Log
pages -
that the terrible shame I feel,
when thinking of a visitor, who might open a page after all,
has its root in the very same judgment: I must be righteous.
I now (in rereading and correcting this sculpture rightaway,
and not as usual only days later
, - even before sculpting today's altar)
discern the stripe of 3 printed lines, glued around the stand
of my lamp:
I release the judgment that I have something
to protect.
I release the judgment that I must defend myself if attacked.
I release the judgment that I know what is right.
[it's a quote from
Godchannel : Superdevils']
It, therefore, was unnecessary that for some days I added
"& my Perfectionism" to "the Death of my
Righteousness".
[4]
The smell in my room -
it's not leaving as usual after ten minutes of re-living in
it after my absence.
"People will come in and say:
oh what a smell of an old woman's home."
I'm surprised to discern the content of this specific projection!
I thought I had no problem with being seen as "old".
The same is with my recent old-man-coughing, with lots of
mucus coming up.
I am so disgusted , when I hear this coughing from men.
To accept myself as being seen and even heard as an old man,
that's a challenge on my path to self-acceptance!
[5]
I AM FLAWED!
My 70th birthday was the death of flawless Christa-Rachel
and the resurrection of flawed Bat-Adam -
daughter of Man,
actually Bat Adom - daughter
of the red one
or "Bat Aduma" -
red daughter
for I agree with Nietzsche's Zarathustra:
"der Mensch ist das Tier, das rote Backen hat",
"Man is the animal which has red cheeks", red with
shame.
As long as the shame is only mine,
the letting go of flawlessness seems to be possible.
But what when it comes to causing other people to feel shame
because of me?
I've
worked on "Shame" so much!
And I am grate-full that the attraction of the latter situation
occurs rarely.
But if I should attract it, then the response should be the
same:
On my 70th birthday flawless Christa-Rachel died
and flawed Bat-Adam, the WHOLE Red Daughter, rose from the
dead.
[6]
But what is the difference between this inner freedom
and the cheap pathetic self-excuse of people:
"I'm not perfect!",
or "I'm only human!"
Or: "So what?"
I hadn't meant it as a cheap excuse,
when I used the latter as a slogan on the bottom of each K.i.s.s.-Log
page,
whole&full-filled,
never perfect&complete
And yet Lior
Oren must have understood it like that.
For when I showed her a page on K.i.s.s.-Log - she asked:
"why did you write on the bottom:
so what
?"
For many months I myself hadn't paid attention to the line
with the smileys!
nor had it really helped me to let go of the righteousness-perfectionism-pattern.
Nor is it even exact phrasing, as I realize only in this moment,
for the "So what" does pertain only to "never
perfect&complete",
and definitely not to "whole&full-filled".
Another reason for shame!
Should I now delete this "flaw" on page after page
since January 1?
Thank you, Lior, for having made me aware!
I'll live my shame and only from this day onward shall I delete
the
and transfer one smiley to the end of the line above:
whole&full-filled,
never perfect&complete
And only on the Intro-Page I'll tell ,
that that slogan through all the 8 months of 2008
was corrupt in grammar and unclear in content!
[7]
In the pool I remembered, that 'righteousness' is not only
'flawlessness'.
To say, I should be righteous is as much a paradox as to claim,
that God is almighty.
"Is God capable of creating a stone
so heavy that God is incapable of lifting it?"
or as the claim, that Jesus was "in everything like us
humans, but without sin",
while he caused so many people to become more sinful then
they were before...
To claim that "you can get all you desire"
- the never-tiring claim of the "spiritual people",
is also a paradox:
I desire to complete all my pages,
I desire to insert also this and this input from experience,
memory, or media
in yesterday's page,
- how can this be fulfilled in the way the desire is phrased?
Even if the desire would not be patterned,
there simply would never be enough time to do fulfill it
There might be a universe, when/where each desire is full-filled
in an instant,
but then there won't be any challenge, any excitement, any
feeling of full-fill-ment.
Oh, I can't put into words what I understood and felt in the
pool.
I must let go now and wait,
until more experiences, more challenges on my path to self-acceptance,
will teach me.
The progression in understanding since my sculpture about
the Task
of Shame
is, that there is not only a task in Shame!
There truly is unnecessary suffering in it!
The terrible feeling of Shame has to do with the judgment,
that I need to be flawless in my actions, words, thoughts
and feelings,
and~~~ righteous without casting a shadow by my very righteousness.
I want to end this incomplete thinking process with a smile:
When I returned from my baby-sitting, after Ofir had come
back,
I, by chance, looked into the mirror and saw that my hair
was uncombed...
"What a shame!"
I then remembered, how - on the day of
my birthday celebration -
I stood in front of my singing Sixteen ~~~~ in my street-sandals,
though I had - in time - put the festive sandals next to the
entry-door
in order to not forget to put them on, when I would return
from my walk,
the walk, Efrat had asked me to do, so they could all gather
and rehearse the song.
"What a shame!"
Especially since only a week earlier, Tomer (not my daughters!)
had remarked:
"I'm surprised! You do have sandals which are pretty
after all!"
"What a shame!"
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Mika wasn't pleased
with being woken up,
but see the change
in her face,
as the Four
cheered her up!
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When Mika was ready to leave bed and room - who
came to take her into his arms? - Abba, who had returned from flight!
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Finetuning to my Present
- last part of the Quintet-Day
and its challenges
When Efrat had left for work, the lunch table had not
yet been cleared.
Now she came back from work, and saw the messy table after
the 4 o'clock meal.
She mumbled to herself something like: "Is
one eating here around the clock?"
and I had to remember, that I was not flawless...
When everything was in order except for the dishes in the
sink,
she said: "Don't bother to clean
up, I'll do it later." So I left it.
But before that I could see clearly, how pressured I was,
as if it was my own interest only to have this Quintet-Day,
and as if I had to all the time apologize for our being around.
Which was the hole that got so triggered on August
1.
But now I could see, what dictated my feelings,
and even if I could not always prevent myself from acting
on these feelings,
the progress was enormous:
"Even if I have no right to
be around with my four grandkids,
I AM around and shall STAY around,
for I don't have to be righteous."
This was so much deeper than releasing the judgment,
that I have no right to exist and no place in this world.
The release of the judgment, that I need to be righteous,
flawless, shadowless,
seems to include many of my other torturous judgments.
I hurried up to have at least half an hour of going into "nature"
with the kids,
now that the heat had receded a bit,
though we wouldn't be able to reach the
nice area beyond the highway.
"Yes, yes! I want to explore this
new environment", said Arnon.
Efrat helped Mika to put the "right" sandals on
(that I had failed in doing this,
was another reason for defending myself - though faintly:
"When Itamar and Ayelet accompanied Mika outside,
she already had her new sandals on, so I didn't want to bother
them.
By the way I have cleaned them (from the
shit of the sheep pen the day before).
"I have cleaned them already myself!"
, Efrat said
- for she too becomes as fast defensive as I do ....
"well, then I have added more thorough
cleaning"
(I had done so of course, because I feared, I wasn't righteous
enough,
when I had taken Mika to the shitty sheep pen).
On the background of these nitty-gritty grainy challenges
on the path to Self-Acceptance,
I am griefed to see, how people sidetrack themselves
by begruding big dramas:
[Efrat: "Are you up-to-date with that
terrible murder of a 4 year old by her mother and grandfather,
which took the police 4 months to even know about and they
have still not found her,
it pains me so much".
I only said: "I don't want to hear
things like that".
I didn't have the courage to say: "Why
do you give energy to these gigantic dramas,
which make you feel powerless , to say the least,
while we here in this house at Bet Nehemya have so much to
do with our little dramas,
which could be avoided, if we had learnt already that we are
staging them ouselves?)
Where are my peers
who would work with me on those "insignificant"
challenges
on the path to self-acceptance????
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A young dommim-tree
- the water-tower - the two huge electricity cable lines and --- not
yet visible --- the disgusting security fence around the village
While boy found boy and girl found girl - little
Mika walks suddenly alone...
Closure of the Finetuning
to the Quintet-Day
Efrat was pleased, that we would go out,
(I also hoped it would give her a chance
to work it out with her husband,
and vice versa:
"Her claim, that I need to rest, is only a pretext.
What it's all about, is, that she doesn't want Tomer to be
here!")
She gave everyone an "artik" ,
which melted fast on our short way through the garbage-strown
area
until we reached a young Dommim-tree, which would give us
shade.
There were no challenges during that short outing,
except that I was pressured to be home in time.
When Arnon pointed to a path, which would lead us back,
without forcing us to return through the garbage path on which
we had come,
I was pleased, but also afraid
- I ran ahead, I urged them to hurry up, I came back-
but finally we made it in time,
just when Ra'ayah came towards us on the road.
When I had a moment of being alone with the Four,
I parted from them, while kissing each one on his/her forehead:
"We'll make a new beginning:
Soon there will be a new school-year -and a new Jewish year,
and as to a Day with the Quartet -
"with the Quintet" - everyone interrupted,
"yes, yes, I'm glad you correct
me, a Day with the Quintet,
remember the contract:
I'll not initiate, and if Efrat will dare to invite you again,
she'll talk to your father (I pointed to Arnon and
Ayelet)
or to your mother (I pointed to Yael and Itamar),
and fix with them the exact day
and also the exact hour of both, your arrival and your departure,
so there will be no more pain in this respect."
I should have added, that I, too, had begun a new life
- since my 70th birthday,
to which they had contributed so much
(I should at least mention, that the Four told many a story
about the long and difficult process of their creation of
the presentation about "Rachel's House" ,
which I hope to dismantle again, so I can insert the gist
of it on kisslog.
Arnon had alsobrought me a disc with the presentation,
but I had to tell him, that it was of no use,
since I didn't have his new version of "Powerpoint".
"And yet! Imagine, that Immanuel has invested great efforts,
to make the presentation available for me after all,
even if part of the animations could not be transferred!"
When Arnon saw, what his uncle had done, he was pleased!)
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But just a moment later she is again in the
middle, in the center
Song of the Day
[the tune came to me, when I
came across the translation of one of the poems by
Rainer Maria Rilke which I knew by heart]
Ich lebe mein Leben in wachsenden
Ringen,
die sich über die Dinge ziehn.
Ich werde den letzten vielleicht nicht vollbringen,
aber versuchen will ich ihn. Ich
kreise um Gott, um den uralten Turm,
und ich kreise jahrtausendelang;
und ich weiß noch nicht: bin ich ein Falke, ein
Sturm
oder ein großer Gesang. |
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-I live my life in growing orbits,
which move out over the things of the world.
Perhaps I can never achieve the last,
but that will be my attempt.
I am circling around God, around the ancient tower,
and I have been circling for a thousand years,
and I still don’t know if I am a falcon, or a storm,
or a great song. |
The
next day I came across another translation, by chance:
I live my life in growing rings
which move out over the things around me.
Perhaps I'll never complete the last,
but that's what I mean to try.
I'm circling around God, around the ancient tower,
and I've been circling thousands years;
and I still don't know: am I a falcon, a storm
or a great song.
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See 3 more poems - one
of them was put to music by me - which were translated by the same
author
Ich bin auf der
Welt zu allein und doch nicht allein genug,
um jede Studen zu weihen.
Ich bin auf der Welt zu gering und doch nicht klein genug,
um vor dir zu sein wie ein Ding,
dunkel und klug.
Ich will meinen Willen und will meinen Willen begleiten
die Wege zur Tat;
und will in stillen, irgendwie zörgernden Zeiten,
wenn etwas naht,
unter den Wissenden sein
oder allein.
Ich will dich immer spiegeln in ganzer Gestalt,
und will niemals blind sein oder zu alt,
um dein schweres schwankendes Bild zu halten.
Ich will mich entfalten.
Nirgends will ich gebogen bleiben,
denn dort bin ich gelogen, wo ich gebogen bin.
Und ich will meinen Sinn
wahr vor dir. Ich will mich beschreiben
wie ein Bild, das ich sah,
lange und nah,
wie ein Wort, das ich begriff,
wie meinen täglichen Krug,
wie meiner Mutter Gesicht,
wie ein Schiff,
das mich trug
durch den tödlichsten Sturm.
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I am too alone in the world, and yet not
alone enough
to make every hour holy.
I am too small in the world, and yet not tiny enough
just to stand before you like a thing,
dark and shrewd.
I want my will, and I want to be with my will
as it moves towards deed;
and in those quiet, somehow hesitating times,
when something is approaching,
I want to be with those who are wise
or else alone.
I want always to be a mirror that reflects your whole being,
and never to be too blind or too old
to hold your heavy, swaying image.
I want to unfold.
Nowhere do I want to remain folded,
because where I am bent and folded, there I am lie.
And I want my meaning
true for you. I want to describe myself
like a painting that I studied
closely for a long, long time,
like a word I finally understood,
like the pitcher of water I use every day ,
like the face of my mother,
like a ship
that carried me
through the deadliest storm of all. |
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Vielleicht, daß ich durch schwere Berge gehe
in harten Adern, wie ein Erz allein;
und bin so tief, daß ich kein Ende sehe
und keine Ferne: alles wurde Nähe
und alle Nähe wurde Stein.
Ich bin ja kein Wissender im Wehe,—
so macht mich dieses große Dunkel klein;
bist Du es aber: mach dich schwer, brich ein:
daß deine ganze Hand an mir geschehe
und ich an dir mit meinem ganzen Schrein.
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It's possible I'm moving through the hard veins
of heavy mountains, like the ore does, alone;
I'm already so deep inside, I see no end in sight,
and no distance: everything is getting near
and everything getting near is turning to stone.
I still can't see very far yet into suffering,—
so this vast darkness makes me small;
are you the one: make yourself powerful, break in:
so that your whole being may happen to me,
and to you may happen, my whole cry.
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"Ten Aermacchi MB-339
PAN jets
from the Italian Air Force display team, Frecce Tricolori,
were performing their 'pierced heart'
(Italian:
Cardioide, German: Durchstoßenes
Herz) formation.
In this formation,
two groups of aircraft create a heart
shape
in front of the audience along the runway.
In the completion of the lower tip of
the heart,
the two groups of planes pass each other
parallel to the runway.
The heart is then pierced, in
the direction towards the audience,
by a lone aircraft.
"The mid-air collision took place
as the two heart-forming groups passed
each other
and the heart-piercing aircraft hit them
[in the TV doc they said, that the pilot
came 4 seconds too early!].
The piercing aircraft crashed onto the runway
and the fuselage and resulting fireball of aviation fuel
tumbled into the spectator area..."
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back to past ~~~~~
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Intro
to
k.i.s.s.-l o g + all
dates
~ Library of
7 years ~ HOME
~ contact ~
SEARCH
( of Latin characters only!) my
eldest granddaughter's video-gallery
whole&full-filled,
never perfect&complete
Keep It
Simple Sweetheart
K.I.S.S.
- L O G 2
0 0 8
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