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The Purpose of HEALING - K.i.s.s.
as stated 10 years ago - was and is
to help me and my potential PEERS
to HEAL ourselves into WHOLEness,
and - as holograms - all of Creation!
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As the fruit of becoming whole = accepting all of
myself, I desire:
to live and explore and evolve L O V E
in my personal life
and to play my part in creating the conditions for
Heaven-on-Earth
by radiating grate-full-ness, zest-full-ness and full-fill-ment
on the actors in my individual life-drama and on all
human beings!
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K.I.S.S. -
L O G 2
0 0 8
Keep It Simple Sweetheart
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How
Learn
And
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I
The
Train
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Heal
Conditions
In
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Myself
For
Creating
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Into
Heaven
Those
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Whole
On
Conditions
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Self-acceptance
Earth
Daily
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Click!
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Then those who see Ha-Shem, will talk
among each other,
and he listens and he
hears
yatakaalamuna allathina
yarau'na-hu ,
va-yusri va-yasma'
Dann die IHN schauen, werden reden miteinander,
und er lauscht und er
hoert
Puis ceux qu'ils voient Ha-Shem, se parlent
l'un a l'autre
il entends,
il ecoute
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Intro
to
k.i.s.s.-l o g + all
dates
~ Library of
7 years ~ HOME
~ contact ~
SEARCH
( of Latin characters only!) my
eldest granddaughter's video-gallery
August
27/ Av 26, Wednesday, 13th day after "the Death of my Righteousness"
-
at Arad
Parting from my
obsession to complete this page--- on August 29
back to past ~~~~~
forward to future
The FOCUS of MY INTENTION
TODAY
Know exactly what you want, communicate clearly what you
want, then get out of the way, live and play, and let
happen what may!
8:36
I desire a day of al-one-ness
in order to finetune to and integrate the innumerable
experiences
which bombarded me during the "Quintet-Day",
an act in my drama which was trying in itself,
but into which my Higher self inserted further complications
(challenges?) with the one purpose:
to let me practise and train in my "Dying to Righteousness"
I desire that Efrat - over-stressed with
the "theme" of 'Tomer between Bne-Arazim &
Bet-Nehemya'
on top of 'Quintet-day', 'work',
'washing-machine', 'worry for Mika', - will find
REST with Immanuel
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hodayot [thanksgivings] for
today
9:00
My Body, my Partner,
my God
I give thanks to your incredible support through all of yester-Day:
I could not listen to you, there was no moment to rest, be
al-one, sleep,
and then there was this terrible train-travel, with crowds
of families,
little crying children, people phoning as if they were alone
in their flats,
soldiers listening to music which was hardly dampened by earphones,
and the train at Lod - to which back-stiff Ra'ayah had brought
me at 6:25 -
was 25 min. late and then crawled along, stopped, groveled
till Beersheva,
where I had missed the bus & had to run, run to reach
the following one.
Though you suffered badly - as you did all our life whenever
we traveled -
you withheld all specific pain, which I had deserved the way
I treated you!
I am grate-full for the great beauty, creativity and lovingness,
I was blessed to experience with the Quintet's togetherness
in general,
as with each of them, Mika, Itamar, Ayelet, Yael, Arnon, in
particular.
I am grate-full that the immense stress of Efrat and of me,
also of Immanuel
did not explode in any way , not did it affect the children.
I am grate-full that I became aware of each and every "incident",
in which my "righteousness" and defensiveness was
"at stake",
and that each and every time I could let go of it and TASTE
FREEDOM.
I'm grateful, that the kids' parents cooperated to make this
day possible.
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As a total contrast to my finetuning into
one human soul - mine -
I saw part of an overview of the intertwining of the Economy on Earth,
in which the unique human being is nothing but a screw in the machine,
not to talk about the thousand-feelings-a-day of that unique human
being.
Still - it excites me,
that the German captain of the container-giant "Cosco-Germany"
- made in Korea - chartered in China,
has to work with a team from 8 nations...
SAT 3, Wednesday, August 27, 2008 - 15:00
Uhr (Israel Time)
[Erstsendung Maerz 28-30, 2007, Filme von "Spiegel"-Chefredakteur
Stefan Aust und Claus Richter, Redaktionsleiter des ZDF-Magazins "Frontal
21".
Sie untersuchen die Rolle, die Deutschland
bei der Globalisierung spielt und in Zukunft spielen kann.]
Wettlauf um die Welt = Race around the World :
Germany and the Globalization
| 1. Das Ende der Deutschland
AG
- Markt ohne Grenzen
kurz]
Seit dem Fall der Mauer hat sich die Weltwirtschaft verändert
wie noch nie zuvor. Deutschland nahm mit Verzögerung am
neuen Wettlauf um die Welt teil, der von der Revolution in der
Informationstechnologie ausgelöst worden war. - In der
dreiteiligen Dokumentationsreihe untersuchen Stefan Aust und
Claus Richter die Rolle, die Deutschland bei der Globalisierung
spielt und in Zukunft spielen kann.
[lang]
Die Mitarbeiter der Bosch-Siemens-Haushaltsgerätein
Berlin Spandau kämpfen verzweifelt um ihre Jobs. Das Management
will Arbeitsplätze nach Polen und Italien verlagern, 600
Männer und Frauen sehen ihre Zukunft bedroht. Alltag im
weltweiten Wettbewerb - der Markt ohne Grenzen setzt besonders
den alten Branchen der Hochlohnländer zu. Probleme, die
sich 300 Kilometer nordwestlich relativieren. Eine fröhliche
Gesellschaft zelebriert im Hamburger Hafen die Taufe des Container-Riesen
"Cosco Germany". Der Gastgeber ist hanseatischer Reeder,
der Chef der Bauwerft Koreaner, die Taufpatin chinesische Diplomaten-Gattin,
die übrigen Gäste sind aus fast aller Welt. Es gibt
heitere Ansprachen, Champagner und ein Gala-Diner: Globalisierung
positiv. Seit dem Fall der Mauer hat sich die Weltwirtschaft
verändert wie noch nie zuvor. Während mehr als zwei
Milliarden Menschen als zusätzliche Arbeitskräfte
auf den weltweiten Arbeitsmarkt strömten, richtete sich
die Aufmerksamkeit der Deutschen vor allem auf ihr eigenes Land.
Conti-Chef Manfred Wennemer meint: "Die Einheit war ein
großes Glück. Sie hat nur den Blick verstellt, was
sich anderswo auf der Welt abspielte." Deutschland nahm
mit Verzögerung am neuen Wettlauf um dieWelt teil, der
von der Revolution in der Informationstechnologie ausgelöst
worden war. Gleichzeitig verabschiedete sich auch das alte und
bewährte Geflecht aus Industrie, Banken und Sozialpartnern.
Es wurde rationalisiert, modernisiert und- entlassen. Die deutschen
Unternehmen sind heute in der Mehrzahl so gut und schlank aufgestellt
wie seit Langem nicht, die Belegschaften aber sind verunsichert.
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2. Deutschland im
Umbruch
- Die erzwungene Revolution
[kurz]
Viele Firmen verlagern ihre Produktion in die neuen Absatzgebiete
Asiens und Osteuropas. Doch nicht alle gehen diesen Weg: So
setzt Miele auf das Gütesiegel "Made in Germany",
und die Verkäufe laufen trotz hoher Preise prächtig.
- In der dreiteiligen Dokumentationsreihe untersuchen Stefan
Aust und Claus Richter die Rolle, die Deutschland bei der Globalisierung
spielt und in Zukunft spielen kann.
[lang]
24/7/365 - das ist die Formel, die Unternehmensstrategen
heute benutzen müssen. Die Formel im Klartext: 24 Stunden,
sieben Tage die Woche das ganze Jahr über kann weltweit
produziert, gehandelt, transportiert werden. Jeder ist jederzeit
erreichbar. Der Alltag hat sich durch PC, Internet undHandy
beschleunigt, die Abläufe in Industrie, Handel und Finanzsektor
haben sich stark verändert. Die "Cosco Germany"
ist kein kleines Schiff, vor der Skyline von Singapur und im
Gewimmel des Hafens aber wirkt sie zierlich. Singapur ist der
größte Containerhafen der Welt. Alle großen
Reedereien laufen dort ein, alle großen Logistiker sind
dort aktiv. Die Informationstechnologie hat es erst möglich
gemacht, dass weit voneinander entfernt liegende LänderNachbarn
werden. Immer mehr Firmen verlagern ihre Produktion in die neuen
Absatzgebiete Asiens und Osteuropas. Adidas zum Beispiel lässt
den Großteil seiner Kollektionen schon lange in Asien
fertigen. In Bayern wird nur noch geplant und gemanagt, gefertigt
wird im chinesischen Ghuangzho. 12.000 Menschen stellen pro
Monat mehr als eine Million Paar Sportschuhe exklusiv für
den fränkischen Sportausrüster her. Doch nicht alle
gehen diesen Weg: Das Gütersloher Familienunternehmen Miele
setzt auf das Gütesiegel "Made in Germany" und
kann auch auf den wachsenden Märkten Asiens hohe Preise
verlangen. Das macht die Produktion in Deutschland bezahlbar.
Die Verkäufe laufen trotzdem prächtig - für wohlhabende
Bewohner von Shanghai und Peking gehört Küchengerät
aus dem Westfälischen zu den notwendigen Statussymbolen.
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3. Deutschland global
- Die tägliche Herausforderung
[kurz]
Aktuell findet ein Übergang von der Informations- in die
Wissensgesellschaft statt. Darauf muss man sich vorbereiten,
wenn man am weltweiten Wettbewerb teilnehmen will - zum Beispiel
mit der Ausbildung von Ingenieuren. - In der dreiteiligen Dokumentationsreihe
untersuchen Stefan Aust und Claus Richter die Rolle, die Deutschland
bei der Globalisierung spielt und in Zukunft spielen kann.
[lang]
Dass die Bewältigung der Zukunft
mit Bildung beginnt, hat sich zwar bis nach Berlin herumgesprochen,
doch unternommen wird zu wenig. Daran kann auch die Kür
vereinzelter Elite-Universitäten und die steigende Zahl
von privaten Hochschulen kaum etwas ändern. "Die Globalisierung
ist eine gesellschaftliche Revolution. Sie führt jetzt
in den Übergang von der Informations- in die Wissensgesellschaft",
sagt der Schweizer Klaus Schwab, Gründer des "World
Economic Forums" in Davos. "Wer darauf nicht vorbereitet
ist, kann daran nicht teilhaben." 400.000 Ingenieure verlassen
die chinesischen Hochschulen im Jahr, einige Dutzend von ihnen
bildet Jin Zilin in Dalian aus. "Die besten schicke ich
dann weiter nach Aachen", sagt der Professor, der selbst
an der Rheinisch Westfälisch Technischen Hochschule studiert
hat. Die Universität unterhält lebhaften Austausch
auch mit Dalian. Das schlechte Image des deutschen Bildungssystems
hat sich noch nicht bis Nordchina herumgesprochen - oder das
Bild ist falsch. Aachen jedenfalls liefert, was deutsche Unternehmen
suchen: hochqualifizierten Nachwuchs, nur zu wenig. Das bremst
das Innovationstempo von Mittelständlern und Konzernen.
Doch nicht nur chinesische Studenten kommen gern in die Bundesrepublik,
inzwischen suchen auch Unternehmer und Investoren aus der Volksrepublik
lukrative Anlagemöglichkeiten. Shenyang Machine Tool hat
die kleine Firma Schiess AG in Aschersleben übernommen.
180 Jobs bei der fast insolventen Firma konnten erhalten werden,
dieses Jahr sollen 50 Neueinstellungen folgen. Die Mitarbeiter
sind mit den neuen Arbeitgebern sehr zufrieden.
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Finetuning
to my Present: the "Quintet-Day", sculpted today
[4]
The real bug crashed into the house with two calls through the
house phone.
A man talked in such a heavy Russian accent, that the first
time I said: "Error".
When he called a second time, I understood,
that it was the driver of the promised new washing-machine -
having problems.
"Why don't you call the mobile phone
of my daughter-in-law?"
His answer may or may not have been "she doesn't answer".
I didn't dare to handle the issue alone and I called Efrat:
"I forgot, that you told me about
the arrival of the machine at 10 o'clock!"
"I said: 'between 10 and 3 o'clock".
With this unjust claim started a chain of situations,
which all had one purpose in this act of my drama:
to train me in letting go of my righteousness!
I didn't answer.
With anger and despair in her voice she said, "Then
I need to come home!"
Now I truly was afraid!
I barely had managed to integrate the five kids,
we barely had found a way to be together despite disparate wishes
(Arnon and Yael for instance wanted
me to listen to their duet of piano & clarinet,
and I wanted that too, but soon we had a dire dispute about
their argument,
that a clarinet is tuned one tone higher, and that they could
play together,
only if either she or Arnon improvised the transposition of
the notes in the book.. ),
and now Efrat would come home,
already on edge because she had to leave urgent work in her
office,
angry at the miserable service concerning the washing machine,
not even knowing when that guy would finally arrive,
and now she would see all the little things
I or one of us had missed doing or had done the wrong way -
she would find out , that Mika hadn't eaten the dictated amount
of breakfast ,
and worse - Mika might cling to her instead of being with the
Four,
in any case the Five would make a hell of confusion and noise,
etc. etc.
But I saw my chance, I saw the challenge, the chain of challenges,
and did not become crazy with doing or avoiding, as I would
have done in the past.
So when - during the 10 or 15 minutes until Efrat arrived -
I discerned,
that Itamar, Ayelet and Mika were on her way out through the
entrance door,
"Mika wants to go to work with this
wooden suitcase,so we accompany her",
I let them go, suggesting that they should walk on the dust
track behind the house.
It was very hot, and I was scared, Efrat wouldn't be pleased
with this "outing".
I ran back, grasped Mika's hat and a bottle of water,
a bag, my mobile phone, and the mobile house phone,
in case that driver would call again
("did you think, the house phone
would work over this range?")
informing the two at the piano, that we were outside -
and followed the Three - so they were out of risk,
and if Efrat wouldn't find me at home, she could call me, [which
indeed she did].
I called them back to the shade of a tree, opposite 3 horses
which they had missed.
And we had a few lovely minutes, the four of us..
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A drama within a drama
Finetuning
to my Present: the "Quintet-Day", sculpted on August
28
[5]
The washing-machine arrived, only to cause more frustration
to Efrat.
"The man said, that his assignment
was to bring it here, not to install it!"
In all the chaos I tried to focus on making the pancakes as
quickly as possible,
since I saw, that Efrat wanted Mika to eat and go to sleep,
so she could leave.
My righteousness said inside: "But
why doesn't she trust me, that I can do that?"
Little bombs came down on me about once in 5 minutes, but I
was on the alert!
"You girls, why don't you help grandma
to set the table!"
I wouldn't have dared to ask Ayelet to do it, but I had asked
Yael already.
Arnon was helping me with frying - on a stove, with which neither
of us was familiar.
I constantly warned him to be careful, since already on the
day of moving flat,
an expensive plate slid to the floor from the tricky stove cover
and broke.
Finally Arnon had an insight:
" the flame is so high
[=frying fast] , that we can manage
with one pan only.
It will be easier then to place the bowl with the dough next
to it
as well as the plate with the fried Pfannkuchen ."
The table was set, I intonated the birkat-mazon,
which the kids are still not good at singing and Mika was eager
to eat rightaway.
Still - the Four wanted to have their fun with blessing over
the food one by one.
Arnon: "I say thanks for this house,
in which we can now have this dinner together with Mika".
Efrat got up in the middle, I don't know, what the pretext was
this time...
When she returned, Arnon repeated his blessing, since he wanted
Efrat to hear it.
Itamar, to my regret (caution!
a challenge for righteousness!) chose, (not
the first time)
to ask forgiveness from the maple-tree, which has to be hurt
to give its juice,
and also thanked it for giving the juice itself
(I didn't remind him, that the
maple juice on our table was almost entirely artificial).
This was already akward enough for me in the presence of Efrat,
whom I wanted to have "a good impression" of this
often praised ritual.
But then Itamar added something he heard from his elder brother
Jonathan,
about people in Africa having or not having DVDs.
I couldn't let this go through - and what's almost never needed
- corrected Itamar:
"This saying, Itamar, seems to be
a parody on people like us,
who care for the fact, that while we have all the food in the
world,
the people in Africa don't!
But it's a difference if they don't have DVDs or don't have
food.
They can live without DVDs , but they can't live without food."
It was then, that I heard a disgusted mumbling of Efrat next
to me:
"Poor guy, all he wanted, was to
say 'sorry' and 'thank you'."
Here I lapsed into defensiveness, faint as it was, probably
not even audible:
"I couldn't let him get away with
this one."
Because of this little upheaval I now can't remember the blessing
of Ayelet and Yael.
It was beautiful and also mainly intended to cause happiness
to Efrat and to Mika.
What was making me nervous - i.e. scared of "not being
righteous in Efrat's eyes -
was the procedure of whispering between the girls, until they
had their line ready.
By then Efrat had almost completed to feed Mika a Pfannkuchen,
but asked her: "Is there something
you want to say thank-you for?"
I don't remember the answer, because by now I realized,
- after everyone had a Pfannkuchen on his or her plate -,
that there weren't enough!
And I couldn't help saying this to Efrat:
"I'm afraid, either the new cup,
with which I measure flour, milk & water,
isn't big enough
(the old exact one had been thrown away with
so many, many other utensils when they moved flat),
or the children have grown and eat much
more."
I was afraid, she might interpret it as a lack of taking Mika
into account too.
This was probably a pure projection, and in any case, Efrat
did not react to that,
and only I refrained from eating until in the end, when half
a piece was left after all.
Mika was put to bed, Efrat left, and I started to clean up everything.
The Four were among themselves and immediately became creative.
They played one scene after the other, while they recorded it
with Yael's phone.
I didn't have the time or strength to really understand the
content,
since I had to think of so many things, like how to give special
time to Arnon,
how to prepare for the 4 o'clock meal, how to organize my backpack,
while the food leftovers from Ra'ayah and Efrat had to be kept
in fridge and freezer
until the last minute -
and "this last minute" when Ra'ayah would come to
fetch her kids
and to take me with her to the Lod train-station - already began
to pressure me.
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Finetuning
to my Present: the "Quintet-Day", sculpted on August
28
[6]
Then Immanuel came home from Los Angeles,
and except for a short exchange about the issue of Tomer's "Afternoon
Holiday",
(Efrat had called me: "I
had a terrible quarrel with Immanuel when he landed,
for he told me, that after coming home he would drive to Bne-Arazim
and bring Tomer for a few hours - as Bne-Arazim suggested -
and take him back.
Please say something to him, if you can")
which was another exercise in "letting go of righteousness",
I only felt uneasy, that the Four would be noisy around the
house,
while he - unable to sleep - would sit in his study on the computer.
When I realized, that a dissonance was creeping into the interaction
of the Four,
and Arnon withdrew: "When you're
ready with your planning of the play,
I'll come back and record it",
I used the time - or so I thought - to listen to what he had
written in his diary
during the last camp with his
Noar Oved.
I couldn't really listen, - not only because I was too pressured
anyway,
but because the dissonance, though I tried to ignore it, became
stronger,
and when also Yael retreated from the cooperation, I stopped
Arnon:
"It doesn't work like that! Sorry,
Arnon."
It doesn't happen often, that I "work" with the Four,
but when I deem it necessary, I usually feel full-filled and
satisfied.
And so it was this time !
After a while of Ayelet's tearful report about what had happened,
I asked them, if we could talk on the veranda, - hot as it was
there.
But I couldn't do this work in the presence of Immanuel,
not only because I was scared of disturbing him,
but because I always feel judged - like in the Itamar-maple-DVD-incident
-
that I "go too deep"
with the grandchildren - or - with the children for that matter...
What I got was this:
In the beginning
there was simple playing around, moving, touching, acting
between Ayelet and Yael,
then the outline of a plan developed and the boys were asked
to take part.
"But we were simply improvising -
not planning anything."
Then the girls, particularly Ayelet, began to give directives,
who should do what.
This was still alright, also that each scene had to be repeated
more than once.
But then, after more and more "cuts" and "takes"
the game became boring,
at least for Arnon and later even for Yael.
Though it turned out,
that Ayelet hadn't been the only one, who had demanded another
"take",
it became clear to me, that her management had suffocated the
older ones.
I began to praise the
Quartet first for their fantastic co-creating .
"I've never seen children play together
for so long without quarreling.
This, by the way, is only true, when you are the four of you.
Arnon and Ayelet alone quarrel a lot - right? "
[Arnon confirmed this],
and Yael and Itamar, well - Efrat says
about Yael, that she is without ego,
and that's not such a good thing either
{Yael nodded, as if she knew this all
too well).
But when you are together, the four of
you, you are true "star-children",
living something which humanity has yet to learn.
And then, when a dissonance comes into
the planning and playing
(I explained the term to the
younger ones),
it's not a quarrel, but a chance to learn
something important.
In this case it's the fact,
which I've been teaching Arnon ever since he was 5 years old
that people have a great need to be creative
and are not content with being staged all the time.
I'm glad, that this time it was Arnon, who was staged,
so you'll better understand, how it is for others, when you
stage them.
" I do NOT know the solution to the problem,
for Arnon cannot and should not hold back his ideas,
nor should you, Ayelet or Yael or Itamar,
nor should I, your grandma.
But if we all know all the time,
that people have a need to create and to give,
and not only to be managed, to be staged and to receive,
then we at least understand, what happens,
when a dissonance spoils the game,
and there will be less superfluous ego-pains."
We then talked about the new element in their acting,
the video recording.
I advised Itamar - since Arnon is already an expert in Powerpoint
presentations -
to study the program of "Window Movie Maker", which
Tomer had shown me,
and start to apply simple editing methods to make a real movie
from their material:
"What use is it, if you have it only
on your mobile phone and will delete it soon!"
With this advice I hoped we could put the cause to rest.
But I hadn't taken Ayelet into account:
"But now I beg you, Arnon and Yael,
if this is developing into something serious:
why not do the last scene as we had envisioned it,
nothing but presenting each of us actors in a funny way,
something really short, less than a minute and without repeating
it,
only to complete it somehow."
To help her make her point, Itamar emphasized:
"if we go back to
improvising , instead of planning a 'script',
then it could be real fun."
To my surprise both Yael and Arnon agreed and they went ahead
and completed!
They didn't ask me to see what they recorded,
nor did I have the time to watch it,
since already Itamar asked the question - familiar to us, since
he was 3 years old -
"when do we eat the 4 o'clock meal?"
"Now!" I said, because
it was exactly 4 o'clock,
and I did want them to have more time with Mika,
before we all would split up at 6 o'clock.
[continuation
tomorrow]
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While baby-sitting at my landlords', I zapped
into an enjoyable romance with a lot of barefoot Salsa
dance:
"Body's Rhythm" (I don't
know the original title),
- the "peer" I'm
longing for, should also know how to dance...
This movie reminded me of the movie I had
seen - partly - the day before, a romance between people in their
fifties,
in which the woman, a psychologist in a TV talkshow, quotes Freud
as having said about therapists,
that they can accomplish almost nothing, but they can help a little,
dass der Mensch sich mit dem Menschen versoehnt,
[that the human being will reconcile
himself with the human being]
which I understood as: that humans will learn a tiny bit of self-acceptance!
When I had finished seeing "Polygraph"
(a reality show which I seem
tp see from a totally different perspective than those who intend
this to be an entertainment..)
I, by chance, left the TV open, though I returned to my computer.
Suddenly sounds and words reached my ear, which made me jump!
The voices of "Good Intentions", the
series which I appreciated so much,
that I inserted an image on top of a kisslog page on the days, on
which I saw an episode!
It was a doc by Ayelet Bargur
(see the sculpture of my experience
with her film "The House in August Street" on
Remembrance Day
Behind
"Good Intentions"
I finally understood, that the series was
not "removed" because of bad rating, but that it had "simply"
ended.
"When - in the parents' circle -
I saw two bereaved women,
who had no common language,
holding hands,
I knew, that this would be the closure of the series!"
The last scene in a Jerusalem hospital: the
Jewish woman cries on the shoulders of the Palestinian woman.
Only the audience knows,
that it was not "a usual terrorist", but a veiled woman
who had stabbed the Jewish woman's son and wounded him in a way that
he might not really recover,
and that this "terrorist" woman was the fiancee of the Palestinian
woman's brother,
who had been seriously wounded by Israeli soldiers,
and who - because of his hatred, which let him refuse
any help - had died shortly before.
It was the Circle of Bereaved Parents - Palestinians and Jews (I
cry...) - which had given birth to
"Good Intentions",
which had ended with no continuation, no development, no hope except
for the solidarity of people in pain.
[while editing this on August
29, my tears run...]
song
of the day -
I could call this beloved song of Rilke: "Fine-tuning!
/:Vor lauter Lauschen
und Staunen sei still:/
du mein tieftiefes Leben;
/:daß du weißt, was der Wind dir will,
eh noch die Birken beben:/
/:Und wenn dir einmal das Schweigen
sprach:/
laß deine Sinne besiegen.
/:Jedem Hauche gib dich, gib nach,
er wird dich heben und wiege.:/
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Intro
to
k.i.s.s.-l o g + all
dates
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7 years ~ HOME
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( of Latin characters only!) my
eldest granddaughter's video-gallery
whole&full-filled,
never perfect&complete
Keep It
Simple Sweetheart
K.I.S.S.
- L O G 2
0 0 8
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