The Purpose  of   HEALING - K.I.S.S.

- as stated 12 years ago - was and is

  to help me and my potential P E E R s 

"to HEAL ourselves into WHOLEness,

and - by extension - all of CREATion!"
Intro to Healing-K.i.s.s. 2001-2013
and Overview of its main libraries


[If you look for a word on this page,
click ctrl/F and put a word in "find"]


I focus my experiencing and awareness on being
"a   pioneer of  Evolution  in  learning  to  feel":
I let my Body vibrate and my Heart 'womb'

pain, shame, fear, boredom, powerlessness,
so feelings can >heal >guide>fulfill
>evolve,
and ~~~ offer ~~~"goldmines"~~~ to us all!!
"I want you to feel everything, every little thing!"

 

 

 

K.I.S.S. - L O G    2 0 0 8
Keep It Simple Sweetheart

 
1

2

3

4

5

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1
2
3
How
Learn
And

I
The
Train

 

Heal
Conditions
In
Myself
For
Creating
Into
Heaven
Those
Whole
On
Conditions
Self-acceptance
Earth
Daily


sanctus-qadosh
sanctus-holy
sanctus-heilig

 

Intro to k.i.s.s.-l o g + all dates ~ Library of 7 years ~ HOME ~ contact ~ SEARCH ( of Latin characters only!)                  my eldest granddaughter's video-gallery

 

"to feel better requires that you become better at feeling"
June 27/ Sivan 24, Friday, still 49 days -
at Shoham
Parting from my obsession to complete this page--- on June 29

back to past ~~~~~ forward to future


The FOCUS of MY INTENTION TODAY

Know exactly what you want, communicate clearly what you want, then get out of the way, live and play, and let happen what may!
8:50
Having realized - with grate-full-ness - how my desire concerning a small problem manifested,
[see the closure of the Gallery about the encounter with Rotem, Yael, Arnon on Grandma-Day with the Six]
I now dare to desire to manifest
- through heart-felt, God-felt INTENTION and less through words&acts
the "New Heart - New Spirit"
, promised by Ezekiel and Godchannel alike, in my drama with Tomer
I desire to vibrate my fear and powerlessness towards him as towards all "such" children today
I desire to give this intention of manifesting New Heart in co-creation with Tomer first priority!


3000 years ago King David expressed the yearning of all Wo/Men

"A pure heart create for me, God, and a right spirit renew inside me!"
Psalm 51:12
And yet it's not purity what the heart needs, but unity, being whole in itself,
and this is what 400 years later prophesied Ezekiel in Israel's exile:








hodayot [thanksgivings] for today

13:30
My Body, my Partner, my God
I give thanks to our tears for healing our feeling
I give thanks to our brain for "making sense, for creating, for growing".
I am grate-full for having been led to reinforce my Intention
by savoring Ezekiel's prophecies- which have Accompanied me all my life -
and sculpting them into a composition which will serve my daily intending:

"I gave you ONE Heart and a NEW SPIRIT I'll give within you
and I'll remove the heart of stone from their flesh
and will give them A HEART OF FLESH.
" Ez. 11:19

The second version is a command: You do this yourself!:
"Make yourself a NEW HEART and a NEW SPIRIT!" Ez. 18:31

The third version puts the emphasis on "new" , leaving out the "one",
but stresses again, that it will be a
Heart of Flesh, a heart in body!
This time the promise is entirely to "you", not "to you" and "to them".
"I'll give you a NEW HEART and a NEW SPIRIT I'll give within you,
and I'll remove the heart of stone from your flesh
and will give you A HEART OF FLESH. "
Ez. 36:26




A single orange-yellow heart leaf on an otherwise green tree: this is what we discovered today, Mika and I!

Jean Baptiste Maunier, who plays the young Pierre Morhange

(Les Choristes), "the Chorus", Die Kinder des Monsieur Mathieu ,
"Ne'arim Sharim" (in Hebrew)

"The Chorus is a 2004 French drama film directed by Christophe Barratier. Co-written by Barratier and Philippe Lopes-Curval,
it is a remake of the 1945 film A Cage of Nightingales (La Cage aux Rossignols),
The film explores the pain of a child's separation from his parents
and the transcendence of music as the greatest form of expression
."
Vois sur ton chemin
Gamins oubliés égarés
Donne leur la main
Pour les mener
Vers d'autres lendemains

Sens au coeur de la nuit
L'onde d'espoir
Ardeur de la vie
Sentier de gloire

Bonheurs enfantins
Trop vite oubliés effacés
Une lumière dorée brille
sans fin
Tout au bout du chemin

Sens au coeur de la nuit
L'onde d'espoir
Ardeur de la vie
Sentier de la gloire

 
See upon your path
Kids lost and forgotten
Take their hands
To lead them
Toward other tomorrows
Feel in the heart of the night
The wave of hope
Ardor of life
Pathway of glory
Joys of childhood
Too quickly forgotten, erased
A golden light shines steadily
at the end of the road

 

 

Video with music and images, which again bring tears to my eyes
Video: Les Choristes: "Vois sur ton Chemin". : fantastic clips in French
The song "Vois sur ton Chemin", performed in some Palais de Congres
Beyonce "Vois sur ton Chemin", by a woman soloist
Video: La Nuit
Les Choristes Website
Les Choristes - another selection of clips in French

 

 

 

Le Fond d'Etang = Bne Arazim [see June 29] ???

"Set in 1948, a professor of music, Clement Mathieu, becomes the supervisor
at a boarding school for the rehabilitation for minors.
What he discovers disconcerts him -- the current situation is repressive.
Through the power of song, Clement tries to transform the students"

 

Driving Backward

Hebrew-English Diary 2007, on May 13

"we finally saw the DVD Efrat had borrowed from her boss for a few days:
Les Choristes ("na'arim sharim")
and when talking about it later I said,
that I was reminded of both Tomer and Levi.....

So now there is this additional fright concerning
the TOMER IS COMING FANTASY
[explain :
how is the whole initiative connected to the slogan

….
it is the time to also let go of every detail
in all the four pathes of GRATeFULLness,

with joy and GRATeFULLness in this very moment,
never mind if the creation will remain uncompleted
and the memories forgotten and deleted.
It seems , that this is the last lesson i have to learn,
and the last healing I have to do about my personal past,
before I'm mature for the Voyage with TOMER.

The lesson is a lekh-lekha of a new kind:
lekh-lekha of a pattern, the old pattern of wanting to be perfect
Maybe the third lekh-lekha, about which I taught Yael
[who had come to me the day before in order to ask me questions
concerning her presentation at school about "One who fulfilled her dreams"]

the lekh-lekha from my childrens' home at Ramat-Gan to the bus
(starting with the advice of my sister Ursel (when she brought our mother to me, 1983):
"you can do realize your desire to walk in Abraham's footsteps in a caravan"!
towards being truly mobile with the bus in May 1986)
was easy compared to this lekh-lekha,
but if I succeeded in letting go of the pattern "I must cook creatively" (in 1976?)
and even of the pattern "I must cook for family and guests", altogether (in 2001)
then I may succeed in letting go of the pattern
"my creations in writing and documenting" must be complete.

So right now, I shall not document the experience with Yael
and not the experience with sitting with Ronnit for half an hour in the same room,
[2008_06_27- how come that despite this statement I rightaway wrote a few lines...]



Finetuning to my Present


:
"Don't say anything, don't exemplify,
only listen and console!"
How should I console?
Perhaps only by listening and a cautious stroking,
and perhaps through a word that will a guide a person
to Giving Thanks,
to Self-Acceptance.

And what about Me?

"Every time you become aware
of your pattern of perfection,
give thanks to your spirit for reminding you,
that this is a pattern"


Those last Hebrew lines in my sculpted diary of May 13, 2007,
ignited an understanding in me on this very day
Couldn't this be the way of responding – not reacting –
to something that T. does?
Not to blame him,
not to show how I'm hurt by his betrayal,
but to point out, that his and my looking at his "deed"
has advanced his awareness,
and therefore has advanced him
towards healing and self-determination?

And instead of blaming – I could say:
"I'm so sorry, that now again you cannot love yourself."
But though this would be true,
and not meant as a manipulation and hidden blame,
it would be a negative input.
At least, there has to be a second part to the sentence:

"you'll learn that the most important thing for you
is to do things which will cause you to love yourself,
I understand, that by trying out one thing after the other
which causes you to hate yourself,
you'll finally reach the understanding
what it is that will cause you to love yourself.
So far only a few humans have discovered this,
because most humans are not even aware that this is what they should want!
they believe that if they go by the laws
and conventions in society and family-friends interactions,
they will love themselves.

But this

"if I'm a good boy , you'll love me, and if you love me, I'll love myself",
works only to a certain degree.
For your essence knows, that in order to become what you are,
you often have to do, what will not bring you esteem and love from others.
To learn not to be dependent on others being pleased with you
is your first step into the direction towards self-love.
And the more pain you cause yourself
by going against the way of pleasing and appeasing others,
the sooner you'll pause and ask yourself:
what is it, that will make me feel full-filled, excited ?
"

 

 

 

 


On May 12, 2007
I find this entry in the template
of my diary:
"DVD with Efrat:
Les Choristes,
wonderful music,
sad and still too idyllic.
Underneath a photo of Tomer.

 

On the following day,
May 13, 2007,
it's again Tomer's picture
but this time - right underneath -
the picture of the main choirboy
from among the "truculent"
(a word I never heard before)
60 boys in that
"re-education institution"
.

This year
the focus of my perception
is the institution
and its director and staff.
It's called
"Le Fond de l'Etang"
"The bottom of the swamp",

while the institution
planned for Tomer
is called
"Bnei-Arazim"
"The Sons of the Cedars"


Is there a message?????
Is the fact,
that on the day,
when the "transference" of T.
to Bnei-Arazim
was finally relevant
(after the Court's decision on May 22),
the director went on leave
for 2 weeks?

Die Kinder des Monsieur Mathieu :
Frankreich 1949:
Clément Mathieu, ein arbeitsloser Musiker, tritt seinen Dienst als Hilfslehrer im Internat von Fond-de-l'Étang an. Mit den schwer erziehbaren Kindern führt der Schuldirektor ein strenges Regiment. Dem Neuankömmling erscheint diese Art der Pädagogik völlig unangebracht, und so bietet Mathieu den brutalen Erziehungsmethoden des Direktors bald Paroli. Er nimmt den Schülern ihre Angst vor der Autorität und weckt in ihnen die Freude an der Musik. Mit der Gründung eines Chors bewirkt er eine nicht für möglich gehaltene Wandlung der rebellischen Jugendlichen. Bei dem schüchternen Pierre stellt er dabei ein außergewöhnliches Gesangstalent fest. Als der Direktor nach dem Diebstahl einer großen Geldsumme einen Schützling der Schule verweist und durch eine Kollektivstrafe jegliche Freizeitaktivität unterbindet, droht der Prozess der Veränderung zu scheitern. Aber der Besuch einer Wohltäterin der Schule beschert dem Knabenchor einen phänomenalen Erfolg, in dem sich auch der despotische Direktor gern sonnt. Als der ehemalige Schüler jedoch im Internat ein Feuer legt, sucht der Schulleiter nach einem Bauernopfer: Seine Wahl fällt auf Mathieu.
"Die Kinder des Monsieur Mathieu" ist das Remake des französischen Kinoklassikers "Der Nachtigallenkäfig" (1945) von Jean Dréville. Unverkennbar spricht sich der Film für ein menschliches, gerechtes Miteinander aus, das die Untergebenen und Schwächeren nicht zu Opfern von Willkür und Karrieredenken degradiert. In Frankreich wurde "Die Kinder des Monsieur Mathieu" mit mehr als sieben Millionen verkauften Eintrittskarten zum Kassenschlager. Christophe Barratier sagt zu seinem Film: "Die Rolle der Musik ist vielleicht idealisiert, jedoch nicht utopisch. Ich sage nicht, Musik verfeinert die Sitten. Wenn man Kriminellen acht Stunden am Tag Mozart vorspielt, ändert das nichts. Ich sage nur, im Leben ist nichts verloren."

Critical response
In her review in the New York Times, Manohla Dargis called the film "a deeply conventional story about truculent or orphaned boys and the gentle soul who finds himself by shaping the tots into a chorus. ..."

In the San Francisco Chronicle, Walter Addiego described the film as "a nicely made exercise in pathos" and added, "It's decently performed and directed, and features a young actor with an impressive set of pipes - he does all his own singing here - but the film is finally a letdown. It says nothing new about its well-worn theme of teacher as deliverer."

2007_05_13-Right underneath the picture of Tomer:
2007_05_13, 9:48 I'm trembling with concentration and tension'
there is the TOMER IS COMING FANTASY in the background
no! in the foreground
and it puts everything I try to do in a new perspective

 


 

 


I kept myself awake until 1 AM this morning,
in order to see a movie in 3 SAT, which I had seen before,
and which seemed to be of the highest relevance at present
(Tomer's impendent move into his father's family).
It was only this morning when I told Efrat, why I was tired,
that she reminded me, when and how we had seen this movie together,
not on TV, but via a DVD, which her boss at her new job had lent her.
A coincidence?
My fright, my son's fright, leave alone Efrat's panic
amplified by the situation depicted in the movie,
a situation which has not improved since 1949, but worsened.
It is not only Tomer as our personal actor in each of our personal dramas!
When I saw those boys - especially the "worst" among them -
I shuddered with fear and sobbed with compassion
and - mainly - felt myself going numb with powerlessness.
"I still haven't learnt a thing about "How to Cope with Evil",
I simply cannot cope with it.
It's not the only movie about a teacher who is successful with "such" boys.
And I - after my experiment and total failure with 10 little "such boys" in 1982-
admire these teachers beyond any expression.
But the point is, that I have created "such" an actor in my drama,
a son of my eldest son, Tomer, my grandson and - my foster grandchild..
And even this is not yet the real point.
"Tomer" is representing an aspect of humankind,
which comes more and more into the foreground.
I know of many reasons, why I created Tomer in my drama,
the history of myself, my marriage, my son's childhood, my son's choice of a spouse,
my crazy creations and life-styles through so many year, and much more,
it all came to bear on the very "set-up" of Tomer.
There is much to heal,
and many of his triggers come to point out holes in my and my son's wholeness,
that now want to be healed.
But that is not all.
The true reason for "Tomer" in my drama,
is, as I shall say again and again,
that he represents humankind,
and all my work on "healing myself into wholeness - and by extension - all of Creation",
will be deficient and lacking, if I would escape "my destiny" with Tomer.
Strange - I haven't used this term - destiny - for a long, long time....
If I still should attract behavior,
to which there is attached "Luciferian", "Ahrimanic" or "Assuric" essence,
then I shall know, that I still have a long way to become "New Heart".
I shall not judge or blame myself then,
but neither shall I project my own holes on Tomer or on anybody else.

 

 

song of the day

And I shall be joyous about them and do good to them,
I shall plant them truly in this land
with my whole heart and with my whole soul..


 

 

Flashback to Tomer's flight with Abba to Los-Angeles, end of May 2008, and their togetherness during an entire week

 

   


   

 

 

 
 

 



   


Is he imprisoned in a cave or a bird among the birds/

   
 

Self-Portraits of Father and Son


 

 

Self-Portraits of Tomer alone.
Even when he was 8 years old, he enjoyed taking pictures of himself with my camera,
trying out all kinds of faces...- see, for instance, the entry to the Tomer library Nov. 2002-April 2003

   
   

 

 





 

What does Tomer see in his face, in his eyes, in his greatest pride - those boots?
And how does he see his father, whom he photographed only once amidst all his self-portraiting?

 

I want to close this page with one single photo of our outing today:
As promised yesterday: we came back to the Garden of Vines, Pomegranates, Figs and Olives,
but this time with bought grapes in this double box - too sour for me - but savored by Mika.


At 23:00 there is still more: Two "news items"...

After the Shabbat dinner of daughter, mother, grandmother,
I felt like sitting down at the piano. Efrat was eager to make me play
the Hebrew version of the Hymn to Joy.
If only I would be a bit more gifted! I could play the tune,
but not the chords, so we simply sang it together,
hoping that Mika would begin to catch the tune.
Then I ruefully returned to sheet-music,
finally enjoying my resurrected piano
and enjoying even my poor playing
and being deeply touched by three songs I sang
(Mika, who had fun with Imma in bed before sleep, said to Imma,
that she once would like to be able to sing like savta..)
3 songs by Robert Schumann, which I hadn't sung and played for 30 years...

"Fruehlingsfahrt: Es zogen zwei lust'ge Gesellen",
this and "Die beiden Grenadiere", made me sad.
But "Mondnacht" is the kind of poem and song,
which would be enough to nourish me for a long time.:
Video Fischer Diskau
and another video on the background of a few fantastic slides ,
and yet another video on the background of moving images
exactly fitting the content

Es war als haett' der Himmel die Erde still gekuesst,
dass sie im Bluetenschimmer von ihm nun traeumen muesst.
Die Luft ging durch die Felder, die Aehren wogten sacht,
es rauschten leis die Waelder, so sternklar war die Nacht.
Und meine Seele spannte weit ihre Fluegel aus,
flog durch die stillen Lande als floege sie nach Haus.


In 3 SAT Auslandsjournal 10 PM an item was announced,
which made me wait for it: the ramFM93.6 radio-station,
with licence from Ramallah (since no more licenses are given in Israel),
paid by the Jewish millionaire Issie Kirsch, who also founded such a station in South-africa and had a major influence on the breakdown of the Apartheid
Vision and Mission Statement
93.6 RAM FM is a South African initiative ...

The vision of 93.6 RAM FM is to create a basis for communication and establish an arena for daily social interaction.

The directors of the South African Holding Company have all had many years of senior management experience in commercial radio broadcasting. The directors are:

93.6 RAM FM is a fresh, English-language radio station that aims to promote bridge building and dialogue through contemporary music, plus the latest hits, high-profile guest interviews, talk shows and informational programs.

93.6 RAM FM will also provide reliable, impartial and independent news from the Middle East.

93.6 RAM FM is a new marketing tool in the region and will offer a maximum of eight minutes of advertising in English per hour. It projects a listening audience of 500,000 English-speakers from Gaza, the West Bank, East and West Jerusalem, Tel Aviv and the coastal areas.

93.6 RAM FM also reaches an international audience through audio streaming on the internet.


 
 
 

 

 

 

back to past ~~~~~ forward to future 2008/2012


Intro to k.i.s.s.-l o g + all dates ~ Library of 7 years ~ HOME ~ contact ~ SEARCH ( of Latin characters only!)                  my eldest granddaughter's video-gallery

whole&full-filled, never perfect&complete

Keep It Simple Sweetheart
K.I.S.S. - L O G    2 0 0 8