The Purpose  of   HEALING - K.I.S.S.

- as stated 12 years ago - was and is

  to help me and my potential P E E R s 

"to HEAL ourselves into WHOLEness,

and - by extension - all of CREATion!"
Intro to Healing-K.i.s.s. 2001-2013
and Overview of its main libraries


[If you look for a word on this page,
click ctrl/F and put a word in "find"]


I focus my experiencing and awareness on being
"a   pioneer of  Evolution  in  learning  to  feel":
I let my Body vibrate and my Heart 'womb'

pain, shame, fear, boredom, powerlessness,
so feelings can >heal >guide>fulfill
>evolve,
and ~~~ offer ~~~"goldmines"~~~ to us all!!
"I want you to feel everything, every little thing!"

 

 

Back to Overview of all Songs


InteGRATion into GRATeFULLness
Singing&Sounding keeps me Sound


An ancient and two modern love songs:

2007_09_01

Traditional English Ballad
possibly. Henry VIII of England, 1500's
See also heavenlyharpist
and videos in My Tube
especially a fantastic performance by Alfred Deller
[see a shortened recording of the duet of Ayelet and Rotem on my birthday]



When Immanuel learnt to play the guitar (from age 12 ,1975, onward), we sang only the three stanzas , which are simple in content and language:

(1) Alas, my love, you do me wrong,
To cast me off discourteously.
For I have loved you well and long,
Delighting in your company.
(7) Well, I will pray to God on high,
that thou my constancy mayst see,
And that yet once before I die,
Thou wilt vouchsafe to love me.
(8) Ah, Greensleeves, now farewell, adieu,
To God I pray to prosper thee,
For I am still thy lover true,
Come once again and love me.

Chorus:
Greensleeves was all my joy
Greensleeves was my delight,
Greensleeves was my heart of gold,
And who but my lady greensleeves.

(2)
If you intend thus to disdain,
It does the more enrapture me,
And even so, I still remain
A lover in captivity.

chorus

(3)
Your vows you've broken, like my heart,
Oh, why did you so enrapture me?
Now I remain in a world apart
But my heart remains in captivity.

chorus

(4)
I have been ready at your hand,
To grant whatever you would crave,
I have both wagered life and land,
Your love and good-will for to have.

chorus


(5)
Thou couldst desire no earthly thing,
but still thou hadst it readily.
Thy music still to play and sing;
And yet thou wouldst not love me.

chorus

 

(6)
My men were clothed all in green,
And they did ever wait on thee;
All this was gallant to be seen,
And yet thou wouldst not love me.

chorus

(7)
Well, I will pray to God on high,
that thou my constancy mayst see,
And that yet once before I die,
Thou wilt vouchsafe to love me.

chorus

 



From K.i.s.s.-Log 2008_04_10

Song of the Day

During breakfast I heard an old song on an old casette of mine,
which this time touched me more deeply,
because of my recent "work" on the Mar-Mar-May virtual love-story...


Dan Hill: Sometimes when we touch
video 1 -
video 2 - only the text, but the singing is joined sometimes by a woman

 

You ask me if I love you
And I choke on my reply
I'd rather hurt you honestly
Than mislead you with a lie
And who am I to judge you
On what you say or do?
I'm only just beginning to see the real you

And sometimes when we touch
The honesty's too much
And I have to close my eyes and hide
I wanna hold you til I die
Til we both break down and cry
I wanna hold you till the fear in me subsides

Romance and all its strategy
Leaves me battling with my pride
But through the insecurity
Some tenderness survives
I'm just another writer
Still trapped within my truth
A hesitant prize fighter
Still trapped within my youth

And sometimes when we touch
The honesty's too much
And I have to close my eyes and hide
I wanna hold you til I die
Til we both break down and cry
I wanna hold you till the fear in me subsides

At times I'd like to break you
And drive you to your knees
At times I'd like to break through
And hold you endlessly

At times I understand you
And I know how hard you've tried
I've watched while love commands you
And I've watched love pass you by

At times I think we're drifters
Still searching for a friend
A brother or a sister
But then the passion flares again

And sometimes when we touch
The honesty's too much
And I have to close my eyes and hide
I wanna hold you til I die
Til we both break down and cry
I wanna hold you till the fear in me subsides

An article by Dan Hill, which reminds me of our worries concerning Tomer...
Every parent's nightmare --DAN HILL ~~ February 13, 2008
A famous Canadian singer-songwriter's family was almost destroyed when his son started bringing home dangerous new friends

To get reacquainted with Grammy and five-time Juno award winner Dan Hill, click here.

Over the last year and a half, three young adults who have set foot in my house, in the well-to-do, tree-lined Beaches neighbourhood of Toronto, have been murdered. All black, all by gunshot, all in Toronto. All three of these men had been in contact with my son, David, now 19. The first two murder victims I'd categorize as less than friends but more than acquaintances. But the third and most recent, Eric Boateng, I'd known quite well, because he had once been a close friend of David's. That friendship had eventually turned bad. Dangerously bad. Eric was shot to death Oct. 22, 2007, shortly after leaving the Don Jail, where he'd been visiting an inmate.


My son, in his dramatic and perilous journey to come to grips with his mixed-race identity, had opened up to me a world that had previously been closed
. A world where violent deaths for young black males in Toronto have been, for quite a while now, a matter of course. This story is my attempt to open up a tiny window on that world for people like me, who have lived a relatively blessed and sheltered life. The product of a middle-class, mixed-race upbringing in Toronto's squeaky clean suburban Don Mills and the son of a celebrated black human rights leader and white mother committed to social change, I was desperate, as a teenager, to forge my own identity. In my case this meant dropping out of school, adopting an apolitical, what's-all-this-race-stuff-got-to-do-with-me-anyway attitude (anything to piss off my parents), and then, somehow, achieving significant fame and wealth as a singer-songwriter before hitting my mid-twenties.


It was precisely that success that, to some degree, alienated my son
— partly because, throughout the first dozen years of his life, I was working for long stretches of time out of the country. The considerable material wealth that resulted made my family vulnerable to the predations of some of the less fortunate kids my son chose to befriend. And brought me face-to-face with all manner of political and racial realities; the kind of things my father had always struggled to address, the kind of things I'd tried my best to ignore.


The last time I saw Eric was on an afternoon three years before he was murdered. I'd just barely managed to escort him out of my house, an accomplishment akin to winning a split decision in an inner-city boxing competition — except that the contest had just begun. Now, we were face-to-face on nearby Queen Street, staring each other down.


"David, get home,"
I shouted at my son, who at 16 was two years younger than Eric. Eric was glowering, not so much at me as through me. His hooded brown eyes seemed more detached than threatening, as if he really didn't give a f--k about anything — his life, my life, anybody's life. I knew I had to stop staring at the cast on his right forearm (he'd broken his wrist while fracturing another ill-matched opponent's jaw).

"David, I told you to get home."

If Eric was going to beat me up, I didn't want David to be there, watching. No son should witness his father getting creamed in a street fight. But I could tell by the nervous smile fixed on David's face that he wasn't going anywhere. He wasn't about to miss this matchup for the world.




When I searched for the author of "Sometimes when we touch", I had no idea about "Dan Hill" and certainly not about his son David...
Shaken by his story - which brought up ever so many associations to our coping with Tomer,
though our story is nothing compared to Dan's and David's -
I decided to edit the entire article with hardly any omission

About Dan Hill
"he’ll never escape the shadow of his one monstrous hit [sometimes when we touch] - and on at least one occasion, it saved his life".

 

 

June 1, 2011

If you still love me

Sung by Boaz Shar'abi
the video shows a woman after an accident in hospital,

If you still love me
I'll find
all that you are missing
If you still love me
I swear
I shall be all that is not in you
I'll give as a gift
all the secrets of the soul
if you still love me

Cchorus;
I'll bring you stones from the moon
I'll give you treasures from the heart of the sea
what you ask for
whatever you wish for
if you are still
if you are still mine



If you still love me
I'll invent words
that you will understand
if you still want only me
you'll find what you look for
in me
and if you feel lost
I am yours also in silence
if you still love me.

Chorus:
I'll bring you stones from the moon...


Don't search for hidden words,
Let Heaven open doors
only if still
if you still
still love me

Chorus:

If you still love me
I'll find,
I swear.



my a-capella singing

to former song    to next song



2011

En-JOY-ing and growing with Mika and my Family
following the documentation "Mika's Heaven on Earth", inserted since Song Game 2007_01_01

Shoham, weekend June 3-5, 2011
continued from my last weekend with Mika

I called my letter to my son:
two motherly preachings.
He received them well:





Lately I print-screened
the compositions with Mika
and send them to both,
Efrat and Immanuel.

This time my son responded with wonder,
and also with speechlessness
concerning the creation of Rotem,
his niece, my 18 year old granddaughter


 

 

Friday, June 3, 2011
I waited for the end of kindergarden among all those young parents
Mika was dressed in white and her hair crowned as "Imma Shabbat",
a highly valued role, which has to do with the kids' celebrating Shabbat.

While Mika and I were walking home among other parents and children,
I witnessed with pain, how Mika was secretly courting one of her mates.
"Though she is totally accepted and appreciated by everyone,
she always has the feeling, that the opposite is hapening!"

I couldn't understand these feelings of my granddaughter,
but her mother had already found an excellent explanation:

"Since everything is perfect in her life, she needs to stage a problem!
for how can she enjoy the goodness of her life without any contrast?"


Of course, we both recalled the usage of architecture in "Zen":
one spot has to be left undone and ugly, so as to stress the beauty!
And the same in Jewish houses: one spot has to be left unpainted,
so as to remind us of the twofold destruction of the ancient temple.

Out of the blue, as always, Mika starts a "musical" with Nella, the dog, and the three wooden cats on the computer-desk in my room




























Continuation of "En-JOY-ing and Growing with Mika and my Family" on Song Game 2007_09_02