The Purpose  of   HEALING - K.I.S.S.

- as stated 12 years ago - was and is

  to help me and my potential P E E R s 

"to HEAL ourselves into WHOLEness,

and - by extension - all of CREATion!"
Intro to Healing-K.i.s.s. 2001-2013
and Overview of its main libraries


[If you look for a word on this page,
click ctrl/F and put a word in "find"]


I focus my experiencing and awareness on being
"a   pioneer of  Evolution  in  learning  to  feel":
I let my Body vibrate and my Heart 'womb'

pain, shame, fear, boredom, powerlessness,
so feelings can >heal >guide>fulfill
>evolve,
and ~~~ offer ~~~"goldmines"~~~ to us all!!
"I want you to feel everything, every little thing!"

 

 

Back to Overview of all Songs


InteGRATion into GRATeFULLness
Singing&Sounding keeps me Sound


Rest has come for the one who toils

2007_09_05

lyrics:
Natan Altermann
tune:
D. Samborski
I never heard anyone sing
this belligerent stanza


to former song    to next song



 

 

2011

Re-union of my WHOLE family with Naftali and Naomi Raz,
June 10-11, 2011
See context in Nourishment June 14-15, 2011
- Page III-

The sequence of photos (phI=a photo by Immanuel) is spread on 7 Song-Pages.
I so much enjoyed the constantly changing "electrons and atoms"
within this temporary oneness, unity, union, unison
[which - naturally - also included fosterchild Yanna]
that I photographed the changing "constellations" again and again.
Since this "repetition" of "similar" scenes might be boring to look at,
I'm going to play a game, and - in "constellation-photos" -
mention those who are NOT visible.
Those who are seen only from the back or only behind someone's head or body, are "visible" !
All 20 "players" are always mentioned according     to   t h i s    o r d e r :
Naftali
Naomi
Joel
Dita
Gid'on
Yanna
Immanuel
Efrat
Tomer
Mika
Ronnit
Uri
Rotem
Yael
Itamar
Micha
Ra'ayah
Arnon
Ayelet
Rachel

See the "dynasty" of Rafael Rosenzweig's family
on the pages of Itamar's Bar-Mitzvah in Febr. 2011

 

 

 

 

Only my two daughters-in-love,
Efrat and Ra'ayah,
are attentive

 

 

 


I wished,
this triangle
of Micha, Ra'yah
and Micha's nephew Tomer
wouldn't be "just accidental"...

 


Finally a picture with Naftali in the center - surrounded by my "in-laws" to the left, and son/father with his two kids to the right

A moment later:
father and son are now to the left, Efrat has disappeared, and Ra'ayah is now standing behind Naftali,
Rotem "replaces" Ayelet and Gid'on has moved to the tree, where Micha had been standing before...


Naomi, standing and leaning her hand at the pine, listens to Ronnit, who sits at the foot of the pine

 


Now it's agian the turn of Ayelet - to be Mika's playmate

I don't know, whose camera Mika is holding here.
There was, of course, an animal with us: Patrick, the dog of Naftali~Naomi
But these pictures of Patrick were taken by Mika with Grandma's camera.

 

What a sweet chaos of grownups and kids, of hands, arms and legs , and a dog in the middle!

While Immanuel
caught his daughter,
when she was about
to fall asleep
in the lap of Yael,
I caught Mika
fully asleep
between Jael's legs.


 

 

 

 

 

 

On the picture
to the right,
a father and a daughter,

Yael's father Uri
and Yael's sister Rotem.




Again a mixed constellation of an attentive audience - attentive to whom?
Micha and his son Arnon and his stepsister Dita to the right, Dita's husband Gid'on and Dita's stepbrother Immanuel leaning on trees,
Immanuel's son Tomer sitting on the edge of a bench and Naftali in the middle sitting on his sophisticated gass-stove.






After more than three hours of sharing our lives with each other, we move on.
After all, Naftali, a tour-guide in the desert of Israel and Jordan, has proposed a full-fledged program for us.
But the contact between us twenty humans was so much more important than even the desert,
so cherished by most of us (not by all....)

I myself could hardly concentrate on all the interesting info which Naftali tried to convey,
and what I heard, I soon forgot , and even now, I won't take the time to follow our route.
I only remember, that our first station was the dam of the artificial Yeruham lake.


Joel to the left, Micha and his kids to the right, and Grandma, handing over her camera to Mika, in the middle [PhI]


I don't know, why Mika was so interested in this perspective (I didn't crop the picture in any way) of the overflow of the dam:
the water that has become fowl and the ugly rail? and why this piece of desert in between two unimpressive shrubs?

But I respect Mika's perspectives! Her great-great-grandfather was one of the first photographers at the end of the 19th century.
My father (not the son of the latter) sent home hundreds of photos of his "nice" experiences from the War, before he fell in 1943
.
During my recent weekend at Shoham, Mika went around her flat and documented everything, "so that grandma will remember it!"
There are now 5 pages with the results of her choices, beginning with the first page of "Mika's Full-Fill-ments" in 2007

Continuation of the Reunion of our Family with Naftali~Naomi in the Desert on Song Game 2007_09_06